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How to Steal the World (1968)

The agents of U.N.C.L.E. must stop mad general Harmon and his Seven Intellectual Wonders of the World, as well as THRUSH agents, from taking over the world.


Sutton Roley


Norman Hudis, Sam Rolfe (developer: "The Man From U.N.C.L.E.")


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Cast overview, first billed only:
Robert Vaughn ... Napoleon Solo (archive footage)
David McCallum ... Illya Kuryakin (archive footage)
Barry Sullivan ... Dr. Robert Kingsley (archive footage)
Eleanor Parker ... Margitta Kingsley (archive footage)
Leslie Nielsen ... Gen. Maximilian Harmon (archive footage)
Leo G. Carroll ... Alexander Waverly (archive footage)
Tony Bill ... Steven Garrow (archive footage)
Peter Mark Richman ... Mr. Webb (archive footage)
Albert Paulsen ... Dr. Kurt Erikson (archive footage)
Inger Stratton ... Anna Erikson (archive footage)
Hugh Marlowe ... Grant (archive footage)
Dan O'Herlihy ... Prof. David Garrow (archive footage)
Ruth Warrick ... Alice Garrow (archive footage)
David Hurst ... Dr. Jan Vanovech (archive footage)
Barbara Moore Barbara Moore ... Lisa Rogers (archive footage)


Napoleon Solo and Illya Kuryakin have to investigate when their colleague, Robert Kingsley, and Dr. Kurt Erikson have vanished. The chemist has discovered a gas that causes people to become will-less. Written by Volker Boehm

Plot Summary | Add Synopsis


U.N.C.L.E. agents Napoleon and Ilya in their most Thrilling Adventure !


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Release Date:

19 September 1968 (Mexico) See more »

Also Known As:

Como Roubar o Mundo See more »

Company Credits

Show more on IMDbPro »

Technical Specs


Sound Mix:

Mono | Mono (Westrex Recording System)


Color (Metrocolor)

Aspect Ratio:

1.85 : 1
See full technical specs »

Did You Know?


Although Kingsley's headquarters are supposedly located high in the Himalayas, the control building of his complex is quite clearly the Theme Building at LA International Airport. See more »


Both Kuryakin (from U.N.C.L.E.) and Kingsley (the bad guy) have their own helicopters (Kingsley's has a large letter "K" on the front of the bubble). However, you can tell they used the same helicopter for both - both helicopters have the same aircraft registration number. See more »


Spun-off from The Man from U.N.C.L.E. (1964) See more »

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User Reviews

The Episode Nobody Wanted (For A Good Reason)
6 November 2007 | by aimless-46See all my reviews

Every long-running television series has an episode (sometimes several) that got red-lighted after the first rough edit and never broadcast. "The Seven Wonders of the World Affair" a/k/a "How to Steal the World" (1968) started out as "The Man from U.N.C.L.E." episode with this dubious honor. Unfortunately the footage was placed in storage rather than destroyed; then once the series had been notified of its cancellation (in the middle of its fourth season) and could not be hurt by such a bad episode; the original footage was resurrected, reassembled, expanded, and broadcast.

And since the ill-conceived episode was not needed as a tax write-off, the producers decided to expand it into feature length and give it a theatrical release overseas. They had already enjoyed success with the technique, releasing all the two-part episodes in a similar manner (although unlike this one these others had been originally intended to be double the one-hour running time). In any case the dusted off version ran for two weeks in late 1967 on US television; as the last two episodes of the series. This allowed the series to go out with a whimper; few cared at the time because the counterculture revolution ("Bonnie and Clyde" – "The Graduate" – etc.) had made the spy premise pretty much irrelevant.

"The Seven Wonders of the World Affair" feels more like a "Star Trek" episode or even "Logan's Run" than anything to do with U.N.C.L.E. They were building the new terminal at LAX at the time and were able to shoot most of the original footage at the building site. It probably looked futuristic in 1966-67, but looks extremely lame today (and probably looked moronic by 1968 when people would have recognized it as the new airport). The el-cheapo production design is not helped by the use of really ill-matched stock footage; some so scratched that it is quite laughable.

The episode inexplicably lacks what had been the two main strengths of the series; the banter between Robert Vaughn and David McCallum, and the casting of many of Hollywood's hottest young starlets in substantial supporting roles.

The premise is the standard idealistic scientist (Barry Sullivan) whose discovery (a gas that makes people peaceful and less aggressive) is about to be misused by evil people. In this case T.H.R.U.S.H. The only thing to watch for is late 1940's-early 50's film star Eleanor Parker, who plays Sullivan's wife, who just happens to be in league with T.H.R.U.S.H. Parker is extremely talented and somehow manages to breathe a bit of life into the lame script. And she has one cool scene where her head is pressed against the top of a glass table; the camera shoots her face from below-distorted by the glass.

Then again, what do I know? I'm only a child.

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