Dodger Lane (Peter Sellers) has planned the perfect robbery while in prison. He intends to break out of prison, steal a fortune in diamonds, and break back into prison before anyone notices... See full summary »
A gang plots the robbery of an armored-car company headquarters. Although the robbery itself goes off as planned, it's not long before the gang members are fighting among themselves over ... See full summary »
J. Pat O'Malley,
Robert J. Wilke,
A prisoner of war working at a zoo gets the chance to escape from the Germans, so he does and he takes with him the elephant that he's been caring for. Together they head for the Swiss border and freedom.
Michael J. Pollard
Three vicious thugs are on the run in rural America after robbing a local bank. They seek refuge at the home of a reclusive farmer, but he is prepared for their arrival and holds them at ... See full summary »
Michael J. Pollard,
A group of Vietnam vets disturbs television programs from a B-29 airplane. They want to sabotage Mrs Westinghouse's political campaign who is running for the Senate in support of US ... See full summary »
Michael J. Pollard,
Definitely screams '60's Universal Studio Telefilm', but if you liked the looks of those pictures (as I do), this is a well photographed, directed and acted little picture. Bradford Dillman, that Olivier of the B's, starred, but Pat Hingle and Harry Guardino had the tastier roles. James Goldstone directed -- he had one of the cleanest, most recognizable styles of late sixties contract directors, though his name is barely known.
The story is a very loose remake of Mirage, the 1960 Gregory Peck vehicle, but it is really another picture entirely. If you've seen the one, you have not seen the other.
Jigsaw swims simultaneously in alienation, paranoia, 60's technicolor psychedelia, and general cold war fear and loathing. The surprise ending is a visual gas, the cinematic equivalent of an acid flashback. It deserves a look if it ever shows up on the tube. In these more modern times of alienation, paranoia, and fear and loathing, an entertaining, slightly fluffy reminder that we've already met the enemy and he is STILL us.
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