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The Lion in Winter (1968)

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1183 A.D.: King Henry II's three sons all want to inherit the throne, but he won't commit to a choice. They and his wife variously plot to force him.

Director:

Anthony Harvey

Writers:

James Goldman (screenplay), James Goldman (play)
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Won 3 Oscars. Another 12 wins & 18 nominations. See more awards »

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Cast

Cast overview, first billed only:
Peter O'Toole ... Henry II
Katharine Hepburn ... Eleanor of Aquitaine
Anthony Hopkins ... Richard
John Castle ... Geoffrey
Nigel Terry ... John
Timothy Dalton ... Philip II
Jane Merrow ... Alais
Nigel Stock ... William Marshal
Kenneth Ives Kenneth Ives ... Queen Eleanor's Guard
O.Z. Whitehead ... Bishop of Durham
Fran Stafford Fran Stafford ... Lady in Waiting
Ella More Ella More ... Lady in Waiting
Kenneth Griffith Kenneth Griffith ... Strolling Player
Henry Woolf ... Strolling Player
Karol Hagar Karol Hagar ... Strolling Player
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Storyline

It's Christmas 1183, and King Henry II (Peter O'Toole) is planning to announce his successor to the throne. The jockeying for the crown, though, is complex. Henry has three sons and wants his boy Prince John (Nigel Terry) to take over. Henry's wife, Queen Eleanor (Katharine Hepburn), has other ideas. She believes their son Prince Richard (Sir Anthony Hopkins) should be King. As the family and various schemers gather for the holiday, each tries to make the indecisive King choose his or her option. Written by Jwelch5742

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Taglines:

The most significant reserved seat attraction of the year! See more »


Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA

Language:

English

Release Date:

30 October 1968 (USA) See more »

Also Known As:

The Lion in Winter See more »

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Box Office

Budget:

$4,000,000 (estimated)

Opening Weekend USA:

$5,339, 16 December 2016, Limited Release

Gross USA:

$22,276,975, 20 January 2017
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Company Credits

Production Co:

Haworth Productions See more »
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Technical Specs

Runtime:

| (70 mm)

Sound Mix:

70 mm 6-Track (70 mm prints)| Mono (35 mm prints)

Color:

Color (Eastmancolor) (uncredited)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

According to Director Anthony Harvey, Katharine Hepburn kept the Oscar she received for this movie in a paper bag, and in a cupboard for years after he'd delivered it to her. See more »

Goofs

For a moment Eleanor appears in front of Henry and Alais. Then she puts her hands one on the other, about her breast, and says to Henry she wants to watch him to kiss Alais. In the following shot her hands had changed position. See more »

Quotes

[first lines]
Henry II: Come for me!
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Alternate Versions

A 70mm version was released in Australia in 1969, and in the UK in 1973. See more »

Connections

Referenced in Media Vita in Morte Sumus (1993) See more »

Frequently Asked Questions

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User Reviews

 
A Director's Dream Come True
3 August 2006 | by AvhHinesSee all my reviews

How lucky can you be to get a script like this and a cast like this all in the same movie? I've been shocked at some of the negative comments by other viewers. I was quite young when the movie came out, and didn't realize for years that Peter O'Toole wasn't the fifty year old he was playing, and Hepburn was exactly Eleanor's age at the time, so I fail to see the age mismatched some have mentioned. I'm fifty myself now, and I still find O'Toole perfectly plausible as a fifty year old in this movie. (Although, DAMN, he looked GOOD! What a gorgeous man!)

As for the 'anachronistic dialog,' it was extremely intentional and would have been totally wrong without it. To our ears, the possibly more elegant speech of the period would have sounded unnatural; only by using modern language could these people sound to us as they would have sounded to each other - normal.

The acting is brilliant - it would have been very hard to find any other actor who could share a screen with Hepburn without fading away to nothing, or an actress who could have done the same with O'Toole - only two of such power could stand up to one another. And this was absolutely right for these characters - as best we know, Henry and Eleanor were both that kind of person - brilliant, witty, strong-willed powerhouses. Then the supporting cast: Hopkins, Castle, Terry, and Dalton. Granted, they weren't known at the time, so Harvey, the director, may not have realized right off the bat that he had the cast of a lifetime, but he surely must have realized it fast.

Then there's the script. Like most of Oscar Wilde's plays, you could pick it up, open it to any page, and find at least half a dozen quotable lines. No, people aren't normally that witty in real life, but a) these were VERY bright people as historical fact, and b) it's a play/movie! People don't speak in real life as they do in Oscar Wilde either, but it's enjoyable as hell to watch. Get over it!

Some things I love about the movie are that it's made clear that no matter what Henry tells Alys, Eleanor, or himself for that matter, his real love and true equal is always Eleanor, just as he is hers. Also that, despite the at least a dozen apparent power shifts in the course of the movie, at the end, ABSOLUTELY NOTHING has changed. And you can tell that with this bunch, nothing ever will change unless it's due to factors out of their control, like death.

A matter of slight historical correction to other user comments: Alys was legally betrothed to Richard; that's why she'd been raised by Eleanor.

A historical correction to the script is that John, while thoroughly detestable personally, was not at all stupid, sniveling, or whining; his actual character was actually far closer to that of Geoffrey's in the script. Very little is actually known about the historical Geoffrey except that he was actually, if anything, more of a warrior than Richard, and of course, he died quite young, leaving behind two children, the son being the legal heir to Richard, and who died at the age of twelve or so, ostensibly of disease, possibly in reality of John. This wasn't considered that bad a thing, btw, as no one wanted a child as king, and John was the only one of the whole bunch who'd spent most of his life in England itself. The English nobles had seriously resented both Henry's (in his later years especially, as he tried to carve an inheritance for John out of Europe in general, France in particular) and Richard's neglect (Richard had barely set foot in England in his entire life, and was utterly indifferent to it except as a source of revenue). Also, of course, there's no historical evidence for an affair between Henry and Alys EXCEPT that I've read at least one source suggesting that Richard used this as an excuse to not go through with the marriage itself. And there's CERTAINLY no historical suggestion that Richard and Philip had an affair, although it seems highly likely that Richard was gay insofar as he was sexual at all. Bastards of royalty were a dime a dozen in those days, but NONE are attributed to Richard, nor a whiff or rumor of any affairs he ever had. Both Henry and John, on the other hand, would chase anything wearing a dress, and this was considered perfectly normal and even admirable in a "bad boy" sort of way. However, John took it too far, resorting to rape and starvation of wives of political enemies, and this was one of numerous driving forces for the imposition of Magna Carta on him by his rebelling nobles. Ironically, by contemporary standards, at a national level John was a far better king than Richard (Henry at his best was better, but was too often not at his best, being too bent on conquest to bother to rule effectively what he already had). However, John was nonetheless personally a rather nasty man (to put it mildly), once again proving that the best men don't necessarily make the best rulers. His personal character and actions, more than his policies, drove his own nobles into nearly successful rebellion, resulting in Magna Carta, one of the great steps in English history.

Sorry for boring you silly with the history commentary - it's a period I've always found particularly interesting. You can wake up now; I'm finished.

Anyway, great movie in every sense - script, acting, score, cinematography, editing; it just doesn't get better than this.


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