Persecución hasta Valencia (1968) Poster

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Perhaps the nadir of Tom Tryon's career
dinky-429 November 2002
This jumbled mess of a plot about a missing shipment of illegal drugs in the western Mediterranean has little to recommend it. Touches of sardonic humor and visual flair might have helped but these assets are conspicuously lacking, and the movie's attempts to be "hip" in a 1960s sort of way must have seemed dated even then. The result isn't "fun bad" but simply "bad."

The sexually-ambiguous Tom Tryon tries to be tough and two-fisted but winds up being merely unpleasant. Besides, this kind of character was never his strong suit. (He excelled at being dark, moody, and haunted a la "Heathcliff" in "Wuthering Heights.") He doesn't even get a chance to show off his bare chest. When one of the bad guys burns him with a cigarette, he burns him through his shirt! Even a Disney comedy such as "Moon Pilot" found an excuse to show Tryon stripped to his boxer shorts.

Some of the off-beat Spanish and Italian backgrounds add shreds of interest but these can't begin to make up for the movie's many failings.
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Disposable Thriller With Great Scenery And A Rugged Looking Cast
zardoz-1317 June 2007
Warning: Spoilers
Too many dull interludes and not enough derring-do derails this gritty, atmospheric European melodrama about an ex-Interpol agent (rugged looking Thomas Tryon of "The Cardinal") who is hired by an infamous drug-lord Marcos (Jose Bodalo of "Captain Apache) to find a missing shipment of narcotics. Along the way our hero hooks up with a hippie chick with a guitar, Jill (Lorenza Guerrieri of "Operation Snafu") whom he uses to act as a cover during his investigation. Inexplicably, in the middle of this Euro thriller, Richard Deacon of "The Dick Van Dyke Show" appears briefly as a records clerk. The Spanish scenery is spectacular and the photography is breathtaking, but there simply isn't enough intrigue to fuel this indifferent actioneer. A scene near the beginning where the villains conceal a shipment of narcotics under the hood of their automobile is cool and director Julio Coll's understated staging of their demise in hail of gunfire during a downpour generates a modicum of excitement. There's also a decent scene in a garage where out hero gets doused with gas. The problem here is that the action lags between the better scenes. Sergio Donati, who co-scripted with Sergio Leone on "For A Few Dollars More" and "Duck, You Sucker," contributed to the loquacious screenplay. The chief villain Marcos sports a pair of spectacles with one clear lens and a dark lens. He is ruthless but he isn't as ruthless as he needs to be to stand out from the pack. This disposable thriller is no diamond in the rough and only die-hard action fans who want to say that they have seen it for the record need waste their time on it.
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