Story of a young woman, Mrs. McBain, who moves from New Orleans to frontier Utah, on the very edge of the American West. She arrives to find her new husband and family slaughtered, but by whom? The prime suspect, coffee-lover Cheyenne, befriends her and offers to go after the real killer, assassin gang leader Frank, in her honor. He is accompanied by Harmonica, a man already on a quest to get even.Written by
DrGoodBeat / edited by statmanjeff
After completing the Dollars trilogy (A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966)), Sergio Leone didn't want to do another western and began working on Once Upon a Time in America (1984); however, after the huge success of the Dollars Trilogy in the U.S. in 1967, Leone wanted to produce films in the U.S., and he began selling the idea for Once Upon a Time in America (1984), but studios wouldn't let him do it until he made another western for them. Eventually, Leone decided to create another trilogy, which began with this movie, developed into Duck, You Sucker (1971) and ended with Once Upon a Time in America (1984). The ''Once Upon a Time'' trilogy, to which it is often referred, is effectively about "three historical periods which toughened America". See more »
The porter asks Jill about her luggage and then offers to carry it for her, but his mouth never moves. See more »
Cattle Corner Station Agent:
Hey. Hey-hey-hey-hey, if you want any tickets, you'll have to go around, eh, to, eh, the front of, eh, eh... oooh, well, I s'pose it'll be all right. The hell am *I* doin' around here if they walk in and can do as they damn please?
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Lionel Stander receives on screen credit in the original U.S. theatre release prints even though his part was completely cut out of this shortened version. See more »
The Hungarian cinematic version emits everything starting from 10 minutes from the end (including Cheyenne's death) by adding a "Vege" (Hungarian for "The End") title card. No Jason Robards falling off the horse, no Claudia Cardinale bringing water to the workers, no spinning title. See more »
A bit slow n tedious but still one of the best western film. Fonda was terrific.
As a fan of Westerns, I saw this film many times in the early 90s. Saw this recently again on a DVD aft many years. The plot- Claudia Cardinale arrives at her ranch, to find that her husband has been murdered by hired gun Henry Fonda. Mysterious gunman Charles Bronson wants an appointment with Fonda. Bronson teams up with outlaw Jason Robards to help protect Cardinale n her ranch from Fondas evil intentions. There are long scenes where you get close shots of a person's face. Sergio Leone loves the stare-down, and you can see it in virtually all of his films. In this movie he allows the camera to linger longer than ever before. You get those quiet scoreless scenes where the natural sounds of the environment are greatly exaggerated. Leone's opponents take a long time to feel each other out before they act. One may find the long stretches of silence and inaction tedious n boring. Honestly, even i found some scenes boring, especially the opening scene. Henry Fonda is terrific. No one expected him to play such a ruthless and brutal killer. Bronson was decent but Jason Robards was much better with his tip on guys patting females bottom n the tip on don't get shot by a person who doesn't know to shoot. One of the best part bah the film was Ennio Morricone's score, especially the recurring harmonica music during the final closing fight. This is Morricone's best moment in a long, treasured career. I was surprised to know that the story was written by Dario Argento.
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