In 1909, when young Paiute Indian Willie Boy returns to his California reservation to be with Lola, whose father disapproves of him, a killing in self defense takes place, triggering a massive man hunt for Willie.
A biplane pilot who had missed flying in WWI takes up barnstorming and later a movie career in his quest for the glory he had missed, eventually getting a chance to prove himself in a film ... See full summary »
A mountain man who wishes to live the life of a hermit becomes the unwilling object of a long vendetta by Indians, and proves to be a match for their warriors in one-on-one combat on the early frontier.
David Chappellet is a mean-spirited skier, who profits from another skier's injury to gain a spot on the American Olympic team. His roommate sums up his goals when he observes of David, "He's not for the team, and he never will be"; but precisely who the David is that David is so fiendishly striving for we're never to learn. He develops a short-lived relationship with Carole Stahl, a glamorous European woman even more capricious than himself. Chappellet's identity trouble are exacerbated by the fact that he is an "Event" as well as a personality; and more astute minds than his own have difficulty where the one leaves off and the other takes over. Director Michael Richie's ("The Candidate") feature film debut.Written by
Sylvester Stallone was an extra in this movie. He shares a scene with Camilla Sparv and Robert Redford. Seven years later, the producers of Rocky (1976) wanted Redford cast in the role of the film's title character Rocky Balboa but Stallone was determined he wanted to star in it. He did, and he became a big Hollywood star. See more »
At the Olympic Games, the last skier appears on the verge of defeating Robert Redford, but crashes and his skies go flying off. Moments later we see the crashed skier skiing down the mountain wearing his skies. See more »
[talking to Chappellet]
You never had any real education, did you? All you ever had were your skis... and that's not enough.
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Redford gives a low-key performance as a thoroughly unlikable member of the US Ski Team in the late 1960's, and he doesn't become any more likable as the story unfolds. Perhaps that's why the film gets such mixed reviews. The Olympic and racing sequences have an almost-documentary look to them, and for good reason. The story goes that IOC officials refused permission for the film crew to shoot during the actual Olympic events; the producers got around that inconvenience by giving hand-held cameras to cast members so they could shoot crowd scenes and background footage on the sly. It's hard to like David Chappellet, and making him a more sympathetic character might have been easier, but I think it's a much better story as-is. As we know all too well these days, world-class athletes aren't always aren't always the charming heroes we'd like them to be.
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