In Alexandria, in 1938, Darley (Michael York, a young British schoolmaster and poet, makes friends through Pursewarden (Sir Dirk Bogarde), the British Consular Officer, with Justine (Anouk ...
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During World War I, Army Private Arthur James Hamp (Sir Tom Courtenay) is accused of desertion during battle. The officer assigned to defend him at his court-martial, Captain Hargreaves (Sir Dirk Bogarde), finds out there is more to the case than meets the eye.
At his mother's funeral, stuffy bank clerk Henry Pulling meets his Aunt Augusta, an elderly eccentric with more-than-shady dealings who pulls him along on a whirlwind adventure as she ... See full summary »
Louis Gossett Jr.
On the H.M.S. Defiant, during the French Revolutionary War, fair Captain Crawford (Sir Alec Guinness) is locked in a battle of wills against his cruel second-in-command Lieutenant Scott-Padget (Sir Dirk Bogarde), whose heavy-handed command style pushes the crew to mutiny.
After writing a tell-all book about her days in the dance troupe "Barry Nichols and Les Girls", Sybil Wren (Kay Kendall) is sued for libeling her fellow dancer Angele (Taina Elg). A Rashomon... See full summary »
Liz and Merry Noel become friends as college roommates and their friendship endures over the years. Liz becomes a respected "serious" novelist. Merry Noel marries, has a daughter and writes... See full summary »
Gregory Lind is the junior priest at Our Lady of the Assumption, a Catholic parish in Albuquerque, New Mexico. Life at the parish is not perfect for Greg, as he is beginning to have ... See full summary »
An immigrant Nevada rancher brings a woman from Italy to be his second wife but when he neglects her, she becomes involved with his trusted assistant. Nominated for 3 Academy Awards including Best Actor.
Based on the best-selling novel by Irving Wallace that was inspired by the Kinsey Report on the sexual mores of suburban women, the film follows the personal (read sexual) lives of four ... See full summary »
Efrem Zimbalist Jr.,
Marriage broker Mae Swasey, who somewhat cynically arranges her loser clients' affairs, meets model Kitty Bennett and can't resist meddling in her life, by disentangling her from a married ... See full summary »
In Alexandria, in 1938, Darley (Michael York, a young British schoolmaster and poet, makes friends through Pursewarden (Sir Dirk Bogarde), the British Consular Officer, with Justine (Anouk Aimée), the beautiful and mysterious wife of a Coptic banker. He observes the affairs of her heart and incidentally discovers that she is involved in a plot against the British, meant to arm the Jewish underground in Palestine. The plot finally fails, Justine is sent to jail, and Darley decides to return to England.Written by
Director Joseph Strick worked for several weeks on this movie on-location in Tunis (with Anouk Aimée, not Glenda Jackson). His plan was to film as much of it as possible on-location. He had quarrels with the management of Twentieth Century Fox and was disliked by some of his actors and actresses. Anna Karina claimed that he had actually fallen asleep while directing her. When he was replaced by George Cukor, a big decision was taken to re-create the Alexandria of the 1930s in the Hollywood studios and to do the rest of the movie there. A few bits and pieces of Strick's location work were retained, but most of his work was re-shot by Cukor, who accepted the extant cast. This movie ended up being enormously costly, and was a box-office flop. See more »
When the hell are you going to stop being an old sin-cushion - into which we all have to thrust our rusty pins!
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George Cukor's adaptation of Lawrence Durrell's ALEXANDRIA QUARTET forms the shape of a dial made of character traits from medieval mystery plays--Fanatic Patriotism, Sexual Cunning, Heartless Bargaining, Furtive Retreat. If Durrell sought to catalogue every human impulse, Cukor had another, lower agenda that serves the material beautifully: shifting these allegorical characters into ripe, lustrous kitsch icons who seem to have time-travelled from a Sternberg movie circa 1931.
The whole picture seems to have undergone a time-machine move from THE SHANGHAI GESTURE to swinging '69. It's Cukor's most vibrant movie visually, and each gorgeously staged and color-patterned shot finds a new way to layer an Islamic tapestry atop psychedelic poster art.
Cukor, brought in as a replacement, brings a vigor to the material you don't associate with him, and at 70, he still knew how to shape the beats of a scene like a Broadway pro. It is reported that he and the star, Anouk Aimee, loathed one another, and in honesty it's easy to see Cukor's frustration: she gives a dismally coy, incommunicative performance as the black widow whose web forms the story. She seems aberrantly at odds with the coolly dignified, taciturn style of the other performances: Dirk Bogarde, as the Graham Greene-ish diplomat with a lurid secret may never have been more creepily sympathetic than he is here. And John Vernon, an actor best known for playing pompous authoritarians in B movies, has such noble composure as Justine's long-suffering husband that he seems to turn into a folk-art engraving of a noble and besieged human soul.
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