Ted Kramer's wife leaves him, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
Texas greenhorn Joe Buck arrives in New York City for the first time. Preening himself as a real "hustler", he finds that he is the one getting "hustled" until he teams up with down-and-out but resilient outcast Ratso Rizzo. The initial "country cousin meets city cousin" relationship deepens. In their efforts to bilk a hostile world rebuffing them at every turn, this unlikely pair progress from partners in shady business to comrades. Each has found his first real friend.Written by
I worked the Times Square area for several years, circa 1969, as a NYC Police Officer. I can tell you that the title characters and many others in this fabulous movie were right on the money. There were very few "normal" folks who were regulars to Times Square at that time. Most visitors and tourists looked right through them but they were all there. Sexual perverts aka chickenhawks, Pimps, and of course the young kids coming off the buses from the heartland by the hundreds, ready to be savaged. The music, drug culture, attitudes of too many parents, and excitement of being a young, all combined to make people think they could "make it" in an area like TS. So very many never made it to adulthood because of the lifestyle: drugs, beatings and assaults were so common. Those who survived were damaged psychologically as well as physically. Personally, I never felt so overwhelmed in my life. While handling one case, you just knew there were dozens more happening at the same moment in time. Midnight Cowboy was just one little slice of life on 42nd Street. An excellent movie.
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