The count has stolen enough gold to cause a financial crisis in the world markets so I.C.E. sends in ace spy Matt Helm to stop him. As Matt works alone, the British send in Freya to aid ...
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Young philanderer inherits 13 ratty antique chairs and decides to sell them off to get some money. Later he learns that one of them contains documents worth a lot of money, so he begins an ... See full summary »
New York tourist Tony Curtis falls asleep on a Southern California beach on his first night in the West and wakes up to The New Phantasmagoria--catamarans, surfers (including a dog), ... See full summary »
The count has stolen enough gold to cause a financial crisis in the world markets so I.C.E. sends in ace spy Matt Helm to stop him. As Matt works alone, the British send in Freya to aid Matt, but it seems that Freya causes more problems than she solves.Written by
Tony Fontana <email@example.com>
The copy of Life Magazine Tina Louise is reading in the hotel lobby was the December 22, 1967 issue. See more »
Although the two cars hit side to side several times on the mountain road, there is no visible damage to either car. See more »
[enters wearing a pink negligee, lies down on the bed]
Hey, do you think we can have our - little talk now?
We're gonna talk a little, Kiss a little, Nothin's gonna spoil our bliss a little, And when our talk is through, How 'bout me and you?
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I have not seen any of the other Matt Helm films, first off. My main reason for getting this film was that Sharon Tate was in it. I think it's safe to say that, out of her very brief acting career, her role in "The Wrecking Crew" is her best out of all her films. In all her other roles she played the blonde sex kitten with little to do but smile pretty for the camera. In this film, however, she gets the chance to shine as a tough yet sexy, red-haired secret agent who assists Dean Martin's Matt Helm in apprehending a group of gold thieves. The plot is ridiculous, Dean Martin looks more than a little out of it, and the sets and music are bursting with such an infectious '60s vibe that you just have to love it in all of its corniness. That title song is stuck in my head for weeks after I watch the movie - and I love it! Don't miss the catfight between Sharon and Nancy Kwan, as well as Sharon's jaw-dropping booty-shake dance sequence. Oh man, what a babe.
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