In 1825, an English aristocrat is captured by Native Americans. He lives with them and begins to understand their way of life. Eventually, he is accepted as part of the tribe and aspires to become their leader.
A town Marshal, despite the disagreements of his newlywed bride and the townspeople around him, must face a gang of deadly killers alone at high noon when the gang leader, an outlaw he sent up years ago, arrives on the noon train.
This story of four working-class kids in a small industrial town--who go their separate ways after high school in the innocence of 1961 and come together again at the end of the turbulent ... See full summary »
A mountain man who wishes to live the life of a hermit becomes the unwilling object of a long vendetta by the Crow tribe, and proves to be a match for their warriors in single combat on the early frontier.
Jack Crabb is 121 years old as the film begins. A collector of oral histories asks him about his past. He recounts being captured and raised by indians, becoming a gunslinger, marrying an indian, watching her killed by General George Armstrong Custer, and becoming a scout for him at Little Big Horn.Written by
John Vogel <email@example.com>
Dustin Hoffman was put in The Guinness Book of World Records as "Greatest Age Span Portrayed By A Movie Actor" for portraying the character of Jack Crabb from age ten to age one hundred twenty-one. See more »
When Jack Crabb is shown drunk during a heavy rainstorm shots alternate back and forth from being on an overcast day to being ones in bright sunshine. See more »
I am, beyond a doubt, the last of the old-timers. My name is Jack Crabb. And I am the sole white survivor of the Battle of Little Big Horn, uh, uh, popularly known as Custer's Last Stand.
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Before LBM indians were savages or wooden stereotypes and very unPC. After LBM broke the western mold films went the other way so that twenty years later you get the very PC and treacly mythologizing of Dances With Wolves. DWW other than the similar story is a poor comparison for LBM. Better to see it side by side with that other grand epic of the west, The Way the West Was Won. There the murder of the red man is incidental to the sweeping and righteous rapine of Manifest Destiny. LBM rips the facade from the theme and ravages its details. LBM does that to all the preceding westerns but it seems particularly true of HtWWW. Imagine Debbie Reynolds and Karl Malden as Mr. & Mrs. Pendrake and go from there. The self effacing humor goes a long way to redress the pretensions of 'epic westerns' made before and after.
Wryly the Cheyenne say of the Little Big Horn, "The Cheyenne won the battle. The Sioux got the glory and the Crow got the land." It's a game response for their long suffering.
For me it's always been unfortunate the title character shares the name, Little Big Man with a Lakota Sioux famously implicated in the death of Crazy Horse, the Ogalala warrior and mystic. ...so I call her Woman Who Doesn't Like Horses. Of course she's lying.
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