A young man falls in love with a beautiful woman being chased by sinister masked figures at night. He tries to track her down, and learns she's being held captive by his father and colleagues who believe she's a vampire.
After her recent release from a deep psychiatric care institution, a Libertine-styled countess goes back to her very evil ways and fixes her eyes on a pretty girl with the intention to destroy her after fully corrupting her body and soul.
Eugenie, a beautiful but shy young girl, has been living with her stepfather, Albert since her mother died when she was a baby. He is a famous writer specializing in stories of erotica. One... See full summary »
Frederick sees a photograph of a ruined seaside castle, which triggers a strange childhood memory. He then goes on a strange quest, aided by four female vampires, to find the castle and the beautiful woman who lives there.
A runaway criminal breaks into an eerie chateau, taking its two frightened chambermaids hostage. As night falls, a group of mysterious aristocratic women arrive and the criminal begins to realize the women are hiding a sinister secret.
A girl arrives from London to visit her estranged relatives in a remote castle for the reading of her father's will. After a while she discovers that they are all in fact dead and her decision to live with them turns into a nightmare. Unable to leave she's drawn into a macabre underworld through visions of nude satanic rituals and her own impending sacrifice.Written by
Contrary to what some sources claim, this was not filmed in 1971. Filming took place in May and June of 1973. Furthermore, several automobiles in this film have been identified as 1972 and 1973 model year cars. See more »
Just past the nine-minute mark, when Christina stands next to the guy playing piano, she casts a shadow on the right side of his face, which appears and disappears in each shot. See more »
Take a dash of Franco and layer in a generous helping of Rollin and, viola!, you have A VIRGIN AMONG THE LIVING DEAD.
This is a work of atmosphere and subtle eroticism. Although it is not a zombie film, death -- and those who wear its cloak -- is its central theme.
Christina von Blanc, an achingly beautiful creature, plays Englishwoman "Christine" who journeys to the rambling estate of her late father (Franco regular Paul Muller) for the reading of his will. Her stay is a nightmarish one as she is harassed by several socially challenged relatives (Howard Vernon being one), a muttering Igor (Franco himself) and local miscreants.
Not as technically accomplished as Franco work such as THE AWFUL DR. ORLOFF or even DR. ORLOFF'S MONSTER, this piece is, nevertheless, dream-like and filled with mood and unease. Bruno Nocolai's score is quietly evocative and Jose Climent's photography is low rent but brimming with inspiration. The rural locations are gorgeous, too.
Typically, the dramatic revelations are hackneyed and not everything makes much sense, but that is Franco's way, and if you can't accept that, steer clear of his fascinating, uneven oeuvre.
Ms. von Blanc makes every one of her screen moments sparkle and comes closest to possessing the magical aura of the late, great Soledad Miranda, Franco's most exquisite leading lady and muse.
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