A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
Protagonist Alex DeLarge is an "ultraviolent" youth in futuristic Britain. As with all luck, his eventually runs out and he's arrested and convicted of murder and rape. While in prison, Alex learns of an experimental program in which convicts are programmed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex's ordeals are far from over once he hits the mean streets of Britain that he had a hand in creating.Written by
Being the adventures of a young man ... who couldn't resist pretty girls ... or a bit of the old ultra-violence ... went to jail, was re-conditioned ... and came out a different young man ... or was he ? See more »
Stanley Kubrick asked Pink Floyd if he could use their "Atom Heart Mother Suite" in the soundtrack. However, because Kubrick wanted unlimited license to determine what portions or edits of the song he used, the band turned him down. When Alex is in the record store, we can see the soundtrack of Kubrick's own movie 2001: A Space Odyssey (1968) on a lower shelf with "Atom Heart Mother" above it (look for the cow in the field). Other records visible in the shop are Tim Buckley's "Lorca" (1970), on the Island shelf when Alex enters the shop. "Atom Heart Mother" is visible on this shelf as well as behind the counter. Also on this shelf is Rare Bird's "As Your Mind Flies By." Two records to the left of the "2001" in front of the counter is Crosby Stills Nash & Young's "Deja Vu" (1970). To the right of "2001" is "The Transfiguration Of Blind Joe Death" by John Fahey. Between The Beatles "Magical Mystery Tour" and "Atom Heart Mother" on the wall behind the counter is Neil Young's "After The Goldrush" (1970). The first Chicago album "The Chicago Transit Authority" (1969) can also be seen. The blonde girl with the lollipop can be seen looking at a Mungo Jerry album, "In the Summertime" (1970). See more »
When Alex is licking the stage man's shoe, it's supposed to be filthy but is visibly clean. See more »
There was me, that is Alex, and my three droogs, that is Pete, Georgie, and Dim, and we sat in the Korova Milkbar trying to make up our rassoodocks what to do with the evening. The Korova milkbar sold milk-plus, milk plus vellocet or synthemesc or drencrom, which is what we were drinking. This would sharpen you up and make you ready for a bit of the old ultra-violence.
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The opening and closing credits are slides with the random colors in the background and the text are only white, instead of the black background. See more »
The Japanese version has every single scene of nudity blurred out. See more »
A disturbing but yet very beautiful piece of film-making, Kubrick has created the ultimate study of mind manipulation in this film. It is a protest against reform programs that take away freedom of a choice, and the message of the film in terms of paying for one's sins in all eternity is inescapable, evident to a large extent in the sardonic nature of the tale. Although set in the future, it hardly feels like it is, this being because the message of the film is overwhelmingly powerful and capable of applying to any age. The film has a number of possible hidden meanings to it a feat equaled on scale only by Kubrick's former film '2001: A Space Odyssey'. Besides for the meaning behind the film, there are still the marks of a masterpiece. Kubrick's direction is superb alongside the good photography, capturing shadows and angles needed to establish tone. The editing is excellent too, done in a flashy, brainwashing style at times to have relevance to the film. The choice of cast is again inspirational, however the film achieves the most in terms of music. Kubrick manages to use one of the earliest forms of art, classical music, and give it an unforgettable style and importance in the film. It is truly a difficult task to explain what is so great about a film such as 'A Clockwork Orange' it is maybe best explained by watching the film itself.
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