After their parents divorce, one daughter lives with her mother in England while the other lives with her father in Portugal. After the untimely death of her mother, the one daughter stands...
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When rookie P.C. Strange falls for an under aged girl, he is unknowingly compromised by a pair of pornographers. Meanwhile, seasoned Det. Pierce is out to catch mob boss Quince and soon both plots intertwine.
George A. Cooper
After their parents divorce, one daughter lives with her mother in England while the other lives with her father in Portugal. After the untimely death of her mother, the one daughter stands to inherit a large sum of money and also a number of documents containing information that will incriminate her father, who was a crooked judge. While her father wants the documents, her sister wants the money and they will each stop at nothing, even murder, to get what they want.Written by
Kevin Steinhauer <K.Steinhauer@BoM.GOV.AU>
When Marianne is in the bath, close-ups show her dry but wearing a white bra top, whereas the long shots show her breasts covered in bubbles, through which the white top can be seen. See more »
There have been many discrepancies involving the recent DVD release of this title by Image Entertainment:
The DVD represents the full-length 99-minute version of the film that has not been seen since the 1970s. There have been many versions of the film with various running times. The original U.S. version ran 84 minutes, omitting 15 minutes of crucial scenes. The DVD is the uncut version and has been digitally rtemastered.
The version of the film on the DVD is presented in 1.33:1 full frame. Many people claim the film was shot widescreen. Director Pete Walker shot the film in a 1.33:1 open matte aspect ratio with the intention of matting the film at 1.85:1. As the 1.85:1 matting would have eliminated the excess picture info at the top and bottom of the frame, the film is presented as shot.
I'm a great admirer of director Pete Walker and I personally feel that most of his horror films unquestionably belong to the absolute best independent British productions ever made! Titles like "Frightmare", "Schizo" and "House of Whipcord" are downright GREAT genre films with genuinely shocking plot-twists and an almost natural aversion to political correctness. Back in 1971, Walker made his very first attempt to do horror with "Die Screaming Marianne" and, to my own regret; it wasn't a very good one. The story largely feels like a failed crossover between a crime-thriller and the Italian giallo (which was also hugely popular in that era) and it's still too similar to the silly & light-headed sex comedies that Walker used to make previously, like "School for Sex" or "The Four Dimensions of Greta". The ravishing star Susan George plays the headstrong girl Marianne who flees from her parental mansion in Portugal and hooks up with a duo of typically British friends. Her infamous father (a former corrupt judge) and her wicked stepsister need her back in Portugal urgently because Marianne will soon turn 21 years old, and then she has access to her deceased mother's fortune as well as the dirty family secrets. This is a very basic description of the film's story and there are loads of unimportant sub plots and incomprehensible twists that aren't really worth mentioning. The screenplay is stunningly incoherent and abruptly jumps from one sequence to another without even trying to make sense. New characters are introduced swiftly and they travel back and forth between Portugal and London like it's an ordinary day trip. And yet, despite all its flaws, "Die Screaming Marianne" surely has potential and it's interesting viewing for Pete Walker fans, as he already approaches some of the topics that'll become his hobbyhorses in later films. The judge character played by Leo Genn, for example, is a typically corrupt and perverted figure that smuggles away all his dirty acts and the stepsister is a greedy bitch who'd do anything for power and money. Other positive elements include some nice set pieces, a catchy title song and a beautifully staged scene inside a sauna! Susanne George is magnificent but her two male counterparts are odd-looking idiots. Like another reviewer already pointed out, this film becomes much more interesting if you watch it with Walker's audio commentary on, as he amplifies many bits and pieces that are shown poorly in the actual film.
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