At Oxford, Austrian student Anna von Graz (Jacqueline Sassard) is dating fellow student William (Michael York), whom she plans to marry, but she ends up sleeping with two unhappily married Oxford professors instead.
Enrico Mattei helped change Italy's future, first as freedom-fighter against the Nazis, then as an investor in methane gas through a public company, A.G.I.P., and ultimately as the head of ... See full summary »
Gian Maria Volontè,
During World War I, Army Private Arthur James Hamp is accused of desertion during battle. The officer assigned to defend him at his court-martial, Captain Hargreaves, finds out there is more to the case than meets the eye.
Paris, 1942. Robert Klein cannot find any fault with the state of affairs in German-occupied France. He has a well-furnished flat, a mistress, and business is booming. Jews facing ... See full summary »
Summer 1900: Queen Victoria's last, and the summer Leo (Dominic Guard) turns thirteen. He's the guest of Marcus (Richard Gibson), a wealthy classmate, at a grand house in rural Norfolk. Leo is befriended by Marian (Julie Christie), Marcus' twenty-something sister, a beauty about to be engaged to Hugh (Edward Fox), a viscount and good fellow. Marian buys Leo a forest-green suit, takes him on walks, and asks him to carry messages to and from their neighbor, Ted Burgess (Sir Alan Bates), a bit of a rake. Leo is soon dissembling, realizes he's betraying Hugh, but continues as the go-between nonetheless, asking adults naive questions about the attractions of men and women.Written by
James Aubrey, the head of MGM, which co-produced the movie, disliked it and sold the studio's interest to Columbia Pictures shortly before it premiered at the Cannes Film Festival. It won the festival's prestigious top prize, the Palme d'Or. See more »
In the scene where the parishioners are going to church, the bells can be heard ringing Plain Bob Minor, a six-bell method. But when the scene changes to the interior of the church, only four men are seen, heaving laboriously on the ropes. Change ringing requires the sally (the coloured fluffy portion) to be pulled fully down and allowed to rise high up, then the rope is pulled down again by the tail end (hand-stroke and back-stroke), but the tail ends of the ropes are all knotted up. The men are only chiming the bells, not performing full-circle change ringing. See more »
Thank you very much Mr. Burgess, is there anything I can do for you?
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To sit through "The Go-Between" again, after years - maybe 20 - since the first time I saw it, turned out to be an almost religious experience. Harold Pinter adapted L P Hartley's novel and Joseph Losey directed - Lose, a blacklisted American who became one of the pillars of British Cinema in the 60's - think "The Servant" or "Accident" - Then, of course, Julie Christie, sublime. Alan Bates at his pick and the spectacular Margaret Leighton ensure that "The Go Between" will always be alive and relevant. Dominic Guard is wonderful in the title role as well as Michael Gough and Edward Fox. Michel Legrand and his score are the only elements who seem rooted in 1971. The film opens with the line "The past is a foreign Country...." Yes indeed, I believe that that applies to film too because in the past, even a recent past, is like a foreign Country, even a close and friendly Country, people behave differently there, then.
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