An idealistic rookie cop joins the L.A.P.D. to make ends meet while finishing law school, and is indoctrinated by a seasoned veteran. As time goes on, he loses his ambitions and family as police work becomes his entire life.
George C. Scott,
An accidental nerve gas leak by the military kills not only a rancher's livestock, but also his son. When he tries to hold the military accountable for their actions, he runs up against a wall of silence.
George C. Scott
George C. Scott,
A former getaway driver from Chicago (George C. Scott) has retired to a peaceful life in a Portuguese fishing village. He is asked to pull off one last job, involving driving a dangerous crook and his girl-friend to France. However, the job turns out to be a double-cross and the trio are pursued back to Portugal where they make one last stand on the coast while the enemy assassins attempt to gun them down.Written by
Jonathon Dabell <J.D.@pixie.ntu.ac.uk>
In a March 22, 1971 "Time" Magazine cover story on George C. Scott, Scott was quoted on why he made this film: "I'm doing it because it reminds me of old Bogart pictures". See more »
When George C. Scott puts on part of the Carburetor at the beginning of the movie he doesn't add the gasket. See more »
You are driving again for criminals.
I'm driving again for me... Because I'm getting ready to die sitting down here. I'm driving again... to see if my nerves and my brain are still connected.
See more »
Atmospheric and Solid throwback to Bogart's Crime World
This film almost should have been in black and white! Very solid throwback to the gritty film-noir gangster films of the 40's. The ever brilliant George C. Scott tackle's the Bogartesque protagonist with style - a retired gangland getaway-driver lured out of retirement by personal reasons for one 'Last Run' in Spain in which he has to transport a escaped killer and his moll across the border to France.
Of course nothing ever goes quite as planned and Scott soon find's his assignment calling for him to make some tough choices in the face of mounting odd's and hidden dangers. This film benefits from it's strong cast, fantastic camera-work by the great Sven Nykvist(Bergmann films), great location scenery in Spain and an economical screenplay from the talented Alan Sharp(Night Moves). Underrated director Richard Fleischer gives the film a great Hemingway type atmosphere and does a good job with the action scenes. Interestingly John Huston started this film and left after three weeks into the production following rows with Scott, Sharp and the producers over wanting to have the script re-written by his eighteen year old son! Overall this is a good solid thriller that works and is waiting to be rediscovered.
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