In an atmosphere of political tension when the French still control Algiers, an Algerian is killed on the beach and a French man who has lived in Algiers all his life is arrested for the ... See full summary »
In this adaptation of the Thomas Mann novel, avant-garde Composer Gustav von Aschenbach (Sir Dirk Bogarde) travels to a Venetian seaside resort in search of repose after a period of artistic and personal stress. But he finds no peace there, for he soon develops a troubling attraction to an adolescent boy, Tadzio (Björn Andrésen), on vacation with his family. The boy embodies an ideal of beauty that Aschenbach has long sought and he becomes infatuated. However, the onset of a deadly pestilence threatens them both physically and represents the corruption that compromises and threatens all ideals.Written by
Eric Wees <firstname.lastname@example.org>
Although mainly filmed on-location in Venice, part of the interior of St. Mark's in Venice had to be reconstructed at Cinecitta Studios. The exteriors were used during filming. See more »
When Aschenbach first asks the hotel manager about the situation in Venice, the manager finishes by saying, "There's nothing to worry about." His glasses are on his face. The scene cuts to a different angle, and the manager repeats, "Nothing to worry about", but he's holding his glasses in his hands. See more »
You would be very well advised to leave today, sir. Don't wait til tomorrow.
See more »
Sensitive as well as thoughtful flick about a composer and his quest for beauty and splendor
This is an adaptation of the Thomas Mann novel , avant-garde composer Gustave Aschenbach (Dick Bogarde) , loosely based on Gustav Mahler character , being well portrayed in this brooding as well as slow-moving classic movie . The celebrated story of a man obsessed with ideal beauty written by prestigious Thomas Mann is magnificently brought to the screen , concerning about desire , homosexuality , children lost , plagues and adult situations throughout .
Thought-provoking character studio of a reputed artist , his mishaps , digresses , loves his homosexuality and continuous search for beauty and perfection . this is the second part of Luchino Visconti's German Trilogy also including The damned (1969) and Ludwig (1972). It deals with Gustav Mahler lookalike whom Dick Bogarde is made up to resemblance . However , the film results to be overlong , it seems longer than its 130 minutes running time . Colorful as well as visually absorbing cinematography in Panavision by Pascualino de Santis . Impressive and immortal musical score by Mahler , in fact his Third and Fifth Symphonies were adapted as background music for the film ; being excellently conducted by orchestra director Fanco Mannino.
This studied as well as slow motion picture was masterfully directed by Luchino Visconti . Visconti was a director and writer, considered to be one of the best Italian filmmakers . At the beginning his career he developed the movement of "Italian neo-realism" together with other directors such as Vittorio De Sica or Roberto Rossellini in the 1940s and 1950s such as ¨Bellissima¨ (1952) , ¨La Terra Trema¨(1948) , and ¨Ossessione¨ (1943) was based on James M. Cain's 'The Postman Always Rings Twice' . Luchino is especially known for Rocco and brothers (1960), "Il Gattopardo" or "The Leopard" (1963) , ¨The damned¨ (1969) , ¨Ludwig¨(1972) , "The Innocent" (1976) and , of course , this Death in Venice (1971). His sense of visual style was equally impressive in his film work, never better demonstrated than through his masterpiece Senso (1954).
5 of 6 people found this review helpful.
Was this review helpful to you?
| Report this