A woman, a survivor of a failed murder attempt by a person dubbed "The Half-Moon Killer" by the police, and her husband must find the connecting thread between herself, six other women, and... See full summary »
Pier Paolo Capponi
The wife of a financially struggling businessman is blackmailed by a mysterious man into having a sadistic relationship with him, or he will release damning evidence that suggests that her husband is a murderer.
Pier Paolo Capponi,
When two sisters inherit their family castle, a string of murders committed by a mysterious dark haired woman in a red cloak decimates their circle of friends. Is the killer their ancestor,... See full summary »
Christian (Robert Hoffman) and his girlfriend are taking a walk on a deserted beach when they discover a woman's body lying. A closer look proves that she's alive. The next day Christian ... See full summary »
After a heist, the notorious jewel thief Rochard is murdered in a train. In Paris, his daughter Nicole Rochard, who is a stripper, is summoned by the police that wants to know the ... See full summary »
Valentina, a beautiful fashion model, takes an experimental drug as part of a scientific experiment. While influenced by the drug, Valentina has a vision of a young woman being brutally ... See full summary »
A young prostitute is found brutally killed and is up to detective Germi (Claudio Cassinelli) the investigation of the case, as the search progress he uncovers a girls trafficking ring with connections to powerful people.
Greta Franklin, a beautiful American blonde, arrives on an island near Venice and rings the door-bell of Richard Stuart, a famous novelist who lives in a beautiful house with his wife Elonora. She manages to be hired as Richard's new secretary, the former one having disappeared without a trace. What Richard and Eleonora do not know - yet- is that Greta has a secret motive for taking the job: not only did she know Sally, her predecessor, but she was her lover...Written by
This is one of the better-known giallo titles, if mainly for the presence of two of the more luscious "Euro-Cult" starlets – blonde Barbara Bouchet (whom I saw, still looking good, quite a few times at the Italian B-movie retrospective held during the 2004 Venice Film Festival!) and brunette Rosalba Neri – in perhaps their role of greatest significance; it goes without saying, then, that the film's piece de resistance is their celebrated slow-motion love scene (which actually occurs very early into the proceedings)! With a generic if definitely attention-grabbing moniker that has no direct bearing on the plot, the movie has been given many an alternate title – such as MURDER MANSION and HOT BED OF SEX, depending on which aspect the respective distributors chose to spotlight (for the record, the Italian original translates to IN THE PURSUIT OF PLEASURE); incidentally, the English-dubbed and regrettably panned-and-scanned VHS-sourced copy (as a result proving soft and occasionally battered) I watched boasted no credits apart from the names of the picture itself, Bouchet and leading man Farley Granger! By the way, the film marked the second of three giallos the American star appeared in back-to-back (I watched the others, which I quite liked, only a few days ago) but, though I felt he delivered surprisingly committed performances in all of them, once again this one afforded him the meatiest characterization. Having said that, it makes for a good transition between SOMETHING CREEPING IN THE DARK (1971) and SO SWEET, SO DEAD (1972) – featuring elements from each, specifically the old dark house setting and a high sleaze factor respectively! The premise is simple enough, with heroine Bouchet insinuating herself into the Venetian household of renowned novelist Granger and his much younger wife Neri, in order (unbeknownst to them) to probe into the disappearance of their secretary – her colleague/flatmate/lover!; it transpires that the outwardly respectable wealthy couple leads a libertine existence, given to stag parties fuelled by drug-taking and the exhibition of snuff movies: starting to involve a dim-witted brute in their exploits, one day things turn sour and it is the secretary who gets the short end of the stick (no pun intended)! The local Police are aware of Bouchet's undercover 'mission' but, soon enough, she realizes that her employer is too – since the plot of his new novel begins to parallel the events that had taken place in the house and, more importantly, indicate what her own fate will be (a blackmailing servant is similarly gotten out of the way)! To further muddle the waters, Granger pretends to fall for Bouchet (thus getting a piece of the action himself for once!) – in fact, two of the film's highlights involve the depictions (via flashback confessions) of the former secretary's death and the disposing of the body; another – this time around a recollection by Bouchet – is a skinny-dipping episode (which goes a bit beyond that) involving her and the murdered girl, and yet one memorable sequence is the climax (planned to be a reprise of the secretary's unlucky demise, the tables are smoothly turned on the perpetrators: Bouchet had met the couple's unwitting associate during a chance but cringe-inducing encounter where he, a fisherman, had nonchalantly flayed a live eel in front of her and she even treated his injured finger!). As was often the case with the "Euro-Cult" style, one of the lasting ingredients here is Teo Usuelli's score which is versatile enough to suit the film's many changes of mood.
9 of 13 people found this review helpful.
Was this review helpful to you?
| Report this