5.6/10
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Bluebeard (1972)

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1:45 | Trailer

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A World War I pilot whom everybody envies as a "ladykiller" actually is one - after he beds the women he's after, he murders them.

Director:

Edward Dmytryk

Writers:

Ennio De Concini (story), Edward Dmytryk (story) | 5 more credits »
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Cast

Cast overview, first billed only:
Richard Burton ... Kurt Von Sepper
Raquel Welch ... The Nun
Virna Lisi ... The Singer
Nathalie Delon ... Erika
Marilù Tolo ... Brigitt
Karin Schubert ... Greta
Agostina Belli ... Caroline
Sybil Danning ... The Prostitute
Joey Heatherton ... Anne
Edward Meeks Edward Meeks ... Sergio
Doka Bukova Doka Bukova ... Rosa
Jean Lefebvre ... Greta's Father
Erica Schramm Erica Schramm ... Greta's Mother
Karl-Otto Alberty ... Von Sepper's Friend (as Karl Otto Alberty)
Kurt Großkurth ... Von Sepper's Friend (as Kurt Grosskurth)
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Storyline

Baron von Sepper is an Austrian aristocrat noted for his blue-toned beard, and his appetite for beautiful wives. His latest spouse, an American beauty named Anne, discovers a vault in his castle that's filled with the frozen bodies of several beautiful women. When confronted with this slight oddity, Bluebeard explains to Anne that he found an easier alternative to divorce when he grew bored with his previous wives. In order to avoid being Bluebeard's next frozen bride, Anne must find a way to outwit her murderous hubby. Written by Leo Urbina

Plot Summary | Add Synopsis

Taglines:

He had a WAY with the world's most beautiful, most seductive, most glamorous women ...he did AWAY with them. See more »

Genres:

Crime | Drama | Thriller

Certificate:

R | See all certifications »
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Details

Country:

France | Italy | West Germany

Language:

English

Release Date:

1 September 1972 (USA) See more »

Also Known As:

Barba Azul See more »

Filming Locations:

Budapest, Hungary See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Sound Mix:

Mono (Western Electric Sound System)

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The various Nazi uniforms in this picture are inaccurate - the colors are wrong and even the swastika has turned into a strangely shaped cross. This may have been for legal reasons, because in Germany the use of Nazi emblems is strictly regulated. See more »

Connections

Featured in Cinema: Alguns Cortes - Censura III (2015) See more »

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User Reviews

 
A movie to like more for what it could have been than for what it is.
10 July 2000 | by patrick.hunterSee all my reviews

This film has a lot of neat ideas, some beautiful women, and Burton as world-weary Baron with a campy, phony, middle-European accent. The script is clever and the sets are lavish, with Bluebeard's estate evoking E. A. Poe's Prince Prospero's: a different color dominating each separate room.

Only Dmytryk fails as a director. The material frankly begs for someone like a Roger Vadim or even Roger Corman. BLUEBEARD should have been more fun, more intelligent than the Vincent Price movies of the time (such as THEATRE OF BLOOD) or even those of Roger Vadim (such as PRETTY MAIDS ALL IN A ROW), and yet it isn't. The script demands macabre humor and erotica, and Dmytryk couldn't deliver either, even in his heyday (and this film was made at the end of his slow, sad artistic decline).

However, I personally enjoy this movie more for what it could have been than what it is. Unlike Chaplin's MONSUIER VERDOUX, and other "Bluebeard" movies directed by various people (from Edgar G. Ulmer to Claude Chabral) this is one film not inspired by the true story of Landru. It much more hearkens back to the original Perrault fairytale, only done in the modern times with Burton's Bluebeard as a proto-Nazi. It's not a bad idea for a film, but someone more hip, with more energy, was needed to pull it off.


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