6.6/10
3,587
71 user 20 critic

Man of La Mancha (1972)

The funny story of mad but kind and chivalrous elderly nobleman Don Quixote who, aided by his squire Sancho Panza, fights windmills that are seen as dragons to save prostitute Dulcinea who is seen as a noblewoman.

Director:

Arthur Hiller

Writers:

Dale Wasserman (musical play), Dale Wasserman (screenplay)
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Nominated for 1 Oscar. Another 2 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Peter O'Toole ... Don Quixote De La Mancha / Miguel de Cervantes / Alonso Quijana
Sophia Loren ... Dulcinea / Aldonza
James Coco ... Sancho Panza / Cervantes' Manservant
Harry Andrews ... The Innkeeper / The Governor
John Castle ... Sanson Carrasco / The Duke
Brian Blessed ... Pedro
Ian Richardson ... The Padre
Julie Gregg ... Antonia Quijana
Rosalie Crutchley ... The Housekeeper
Gino Conforti ... The Barber
Marne Maitland ... Captain of the Guard
Dorothy Sinclair Dorothy Sinclair ... The Innkeeper's Wife
Miriam Acevedo Miriam Acevedo ... Fermina
Dominic Barto Dominic Barto ... Muleteer (as Dominic Bartó)
Poldo Bendandi Poldo Bendandi ... Muleteer
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Storyline

This musical version of Don Quixote is framed by an incident allegedly from the life of its author, Miguel de Cervantes. Don Quixote is the mad, aging nobleman who embarrasses his respectable family by his adventures. Backed by his faithful sidekick Sancho Panza, he duels windmills and defends his perfect lady Dulcinea (who is actually a downtrodden whore named Aldonza). Written by Reid Gagle

Plot Summary | Plot Synopsis

Taglines:

A Musical Adventure! See more »


Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Italy | USA

Language:

English

Release Date:

8 September 1973 (Italy) See more »

Also Known As:

El hombre de La Mancha See more »

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Box Office

Budget:

$12,000,000 (estimated)

Gross USA:

$3,800,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

70 mm 6-Track (70 mm prints)| 4-Track Stereo (35 mm prints)

Color:

Color (DeLuxe)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Peter O'Toole was not at all happy about the firing of his friend Peter Glenville as director, as he liked the helmer's idea of making the film a non-musical. O'Toole was deliberately difficult with Glenville's replacement, Arthur Hiller, referring to him as "Little Arthur" throughout production. See more »

Goofs

Miguel (pronounced Mee-GELL) is mispronounced by various characters as "Mee-GWELL", including Peter O'Toole when introducing himself to the other prisoners. See more »

Quotes

Alonso Quijana: My friend.
Sancho Panza: Did your Grace say something?
Alonso Quijana: You are a fat pudding stuffed with proverbs.
See more »

Crazy Credits

During the opening credits, we see the animated sails of a windmill, which, with each turn, begin to reveal, and finally become, a sketch of the face of Don Quixote. The camera moves in for an extreme closeup of the facial features, which, as the camera gets close, reveal themselves to be a giant prop in an outdoor stage presentation during a festival. As the opening credits end, the sketch of that prop dissolves into the real item. See more »

Alternate Versions

The DVD features the MGM logo in the credits, but not the United Artists one, although the film is a United Artists release. The VHS release featured both logos, and the original theatrical release only the United Artists one, along with the Transamerica logo (Transamerica once owned UA). See more »

Connections

Spoofed in Hay que Hacer un Musical (2014) See more »

Soundtracks

The Barber's Song
Music by Mitch Leigh
Lyrics by Joe Darion
Sung by Gino Conforti
See more »

Frequently Asked Questions

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User Reviews

 
Greatest Movie Ever
20 October 2000 | by kimandscottSee all my reviews

I consider myself somewhat of a movie aficionado, having seen several thousand movies over the past forty years; and I can unequivocably say that "Man of La Mancha" is my all-time favorite movie. While some of the familiar criticisms lodged against it are valid, there is still no other movie that can approach its depth or poignancy. I judge a movie by its ability to move me: to make me laugh, to make me cry, to make me think. This movie tackles one of the greatest themes of life: whether to live in a helpful illusion or live in the harshness of reality. Don Quixote's story is the ultimate in human heroism, a tragic man of courage struggling to see and live life, not as it is, but as it should be. His unwavering idealism in the face of all-too-familiar cynicism and skepticism is both foolhardy and inspiring. This movie always leaves me, not with tears trickling, but with great sobbing. I strongly recommend it for both your heart and your head.


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