In the twilight of Francisco Franco's dictatorship, an eight-year-old orphan and her two sisters find shelter in the house of their stern aunt, trying their best to acclimatise to a new reality. Will they summon up the courage to grow up?
An almost accidental romance is kindled between a German woman in her mid-sixties and a Moroccan migrant worker around twenty-five years younger. They abruptly decide to marry, appalling everyone around them.
Rainer Werner Fassbinder
El Hedi ben Salem,
In Castilla around 1940, a traveling movie theatre brings James Whale's black and white film classic "Frankenstein" (1931) to a small village. Two young girls, Isabel and Ana, are subsequently determined to find the monster themselves.Written by
Michael Crew <email@example.com>
This film is part of the Criterion Collection, spine #351. See more »
When Ana & Isabel first go to the well there are stones around the base. Ana steps on one to look down in to the well. When she returns later there are no longer any stones so when she looks in to the well she is much too short to see down in it. See more »
[unable to sleep]
[opening her eyes]
Tell me what you were going to tell me.
Not now... Tomorrow.
Now... You promised. Why did he kill the girl, and why did they kill him after that?... You don't know - you're a liar.
They didn't kill him, and he didn't kill the girl.
How do you know? How do you know they didn't die?
Everything in the movies is fake. It's all a trick. Besides, I've seen him alive.
[...] See more »
Like many of the other commentators here, I had heard about this movie long before I had ever had a chance to see it, although it typically is mentioned as one of Spain's greatest films. It definitely is. It is masterfully directed and I have not been able to stop thinking about it for days.
The story is elliptically told and demands your participation in making sense of the narrative, but it's also leisurely paced and allows you to breathe in the atmosphere rather than forcing a particular reading on you. One thing you wouldn't guess from reading the other comments is how this is as much a film about nature as about history--it is like a poem of the countryside in winter, with long vistas of stone farmhouses framed against the rising sun. The film with the most similar visual palette is Malick's "Days of Heaven", but that film feels simplistic compared to the full immersion in history and memory presented in this film--a much more complete vision of the past.
Ana Torrent is unforgettable. I can think of no better film about children, yet (as with so many other things in this movie) it doesn't feel forced--these kids aren't just the director's pawns, but real, living beings.
If you get a chance to see it, definitely make the effort.
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