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Alice Doesn't Live Here Anymore (1974)

PG | | Drama, Romance | 30 May 1975 (France)
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A recently widowed woman is on the road with her precocious young son, determined to make a new life for herself as a singer.

Director:

Martin Scorsese

Writer:

Robert Getchell
Won 1 Oscar. Another 5 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
Mia Bendixsen Mia Bendixsen ... Alice - Age 8
Ellen Burstyn ... Alice Hyatt
Alfred Lutter III ... Tommy (as Alfred Lutter)
Billy Green Bush ... Donald
Lelia Goldoni ... Bea
Ola Moore Ola Moore ... Old Woman
Harry Northup ... Joe & Jim's Bartender
Marty Brinton Marty Brinton ... Lenny (as Martin Brinton)
Dean Casper Dean Casper ... Chicken
Murray Moston Murray Moston ... Jacobs
Harvey Keitel ... Ben
Lane Bradbury Lane Bradbury ... Rita
Diane Ladd ... Flo
Vic Tayback ... Mel
Valerie Curtin ... Vera
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Storyline

Despite admitting that she was scared of him in her never-ending quest to please him, thirty-five year old housewife and mother Alice Hyatt is devastated when her husband Donald is killed in an on the job traffic accident. With few job skills except that as a singer, Alice, along with her precocious eleven year old son Tommy, decides to move from their current home in Socorro, New Mexico to her home town of Monterrey, California, the only place she has ever felt happy. She plans on getting singing gigs along the way to earn money to get back to Monterrey by the end of the summer and the start of Tommy's school year. Alice's quest for a job at each stop leaves Tommy often to fend for himself, which may make Tommy even more precocious. His behavior is fostered by Alice, as their relationship is often more as trouble-making friends than mother and son. Alice's plans often do not end up as she envisions, especially as she is forced to take a waitressing job at Mel and Ruby's Diner in ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Alice has a 12-year old kid. She hasn't got a job and she's on her own. How come she has such a good time? See more »

Genres:

Drama | Romance

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

30 May 1975 (France) See more »

Also Known As:

Alice Doesn't Live Here Anymore See more »

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Box Office

Budget:

$1,800,000 (estimated)

Gross USA:

$17,600,000
See more on IMDbPro »

Company Credits

Production Co:

Warner Bros. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Ellen Burstyn was eager to work with Martin Scorsese because she liked the vibrant immediacy of Mean Streets (1973), and thought that edge could keep Alice from becoming too glib and facile, and too much of a formula "woman's picture". See more »

Goofs

When Alice and Tommy first see the "Leaving New Mexico" sign, the traffic light they are approaching turns from green to yellow. Following a very brief exchange inside the still-moving car, the light is then shown to be green, and they go right through the intersection without having slowed or stopped. There was no time for the light to have gone through a full cycle. See more »

Quotes

Alice: [while driving Tommy home from the police station] Ya look like you've been embalmed.
See more »

Crazy Credits

introducing Alfred Lutter as Tommy See more »

Connections

Referenced in The Brady Bunch Variety Hour: Episode #1.5 (1977) See more »

Soundtracks

I Will Always Love You
(1973) (uncredited)
Written by Dolly Parton
Performed by Dolly Parton
Plays on the jukebox in a bar scene with Burstyn and Keitel
See more »

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User Reviews

 
Priceless
20 March 2004 | by marcosaguadoSee all my reviews

People forget that "ALICE DOESN'T LIVE HERE ANYMORE" is a Scorsese film. Look at it again and you'll see it is one hundred percent Scorsese. Totally focused on a female character. I read somewhere that Ellen Burstyn asked Scorsese "How well do you know women" and Scorsese replayed "Not well at all, but I'm willing to learn" The portrait of Alice adds something to film female characters that had never been present on the screen before. All those Joan Crawford fighting working class women seem like a joke compared to Ellen Burstyn's Alice. Jodie Foster steps into the screen with a funny, touching BANG. If you've never seen this film, hurry up! If you've seen it, see it again.


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