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Ali: Fear Eats the Soul (1974)

Angst essen Seele auf (original title)
Not Rated | | Drama, Romance | 31 October 1974 (USA)
An almost accidental romance is kindled between a German woman in her mid-sixties and a Moroccan migrant worker around twenty-five years younger. They abruptly decide to marry, appalling everyone around them.
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4 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Brigitte Mira ... Emmi
El Hedi ben Salem ... Ali
Irm Hermann ... Krista
Elma Karlowa ... Mrs. Kargus
Anita Bucher Anita Bucher ... Mrs. Ellis
Gusti Kreissl Gusti Kreissl ... Paula
Doris Mattes Doris Mattes ... Mrs. Angermeyer (as Doris Mathes)
Margit Symo ... Hedwig
Katharina Herberg Katharina Herberg ... Girl in bar
Lilo Pempeit Lilo Pempeit ... Mrs. Münchmeyer
Peter Gauhe Peter Gauhe ... Bruno Kurowski
Marquard Bohm ... Gruber
Walter Sedlmayr Walter Sedlmayr ... Angermayer
Hannes Gromball Hannes Gromball ... Waiter
Hark Bohm Hark Bohm ... Doctor
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Storyline

Emmi, a German woman in her mid-sixties, falls in love with Ali, a Moroccan immigrant worker around twenty-five years younger. When they abruptly decide to marry, everyone around them seems appalled. When the folks calm down a bit, Emmi and Ali's relationship grows uncertain. Written by Oliver Heidelbach

Plot Summary | Plot Synopsis

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

West Germany

Language:

German | Arabic

Release Date:

31 October 1974 (USA) See more »

Also Known As:

Ali: Fear Eats the Soul See more »

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Box Office

Budget:

DEM260,000 (estimated)

Opening Weekend USA:

$11,623, 16 February 2003

Gross USA:

$8,144

Cumulative Worldwide Gross:

$15,698
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The original German title "Angst essen Seele auf" is deliberately grammatically incorrect, translating literally as "Fear eat soul up." The correct German form would be "Angst isst die Seele auf. It is a direct reference to Ali's bad german. The line of dialogue he utters is simply "Fear eat soul up" See more »

Quotes

Emmi Kurowski: We'll be rich, Ali... and we'll buy ourselves a little piece of heaven.
Ali: Why heaven?
Emmi Kurowski: Oh, just a fancy of mine.
See more »

Crazy Credits

Before the introductory credits there is the line: Das Glück ist nicht immer lustig (Happiness is not always fun) See more »

Connections

Referenced in Watchmen: At Midnight, All the Agents... (2008) See more »

Soundtracks

Du Schwarzer Zigeuner (Cikánka)
Written by Karel Vacek
Performed by R.A. Dvorský
See more »

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User Reviews

 
Is it love?
3 September 2002 | by Mort-31See all my reviews

First of all, this film has definitely the best (German) movie title ever. It loses much of its power when it's translated but in German it is absolutely fascinating.

On the other hand, Fassbinder's movies and especially this one are not untranslatable, which is positive. The story about a love (is it?) between two people of different age and origin is universal and, though set in a very xenophobe and intolerant Germany, should be understood by everybody all over the world. Fassbinder is a master in guiding his actors so they can they play naturally and believably without using a particular local accent or slang that is probably more realistic.

I do not completely agree with the film's utterly pessimistic view on practically all the characters in the movie; I think his portray of contemporary society is a little bit exaggerated (and it was even twenty-five years ago). However, I acknowledge that by means of exaggerating like this, Fassbinder makes his criticism clear and evokes a particularly bad feeling (of guilt?) in the viewer's belly. While the story is rather sad, it includes a lot of (sarcastic) side-swipes on society as it is.

Angst essen Seele auf (oh, this is a marvellous title!) is maybe a more silent version of Harold and Maude; more silent but not less interesting.


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