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The Conversation (1974)

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A paranoid, secretive surveillance expert has a crisis of conscience when he suspects that a couple, on whom he is spying, will be murdered.
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Nominated for 3 Oscars. Another 14 wins & 13 nominations. See more awards »

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Cast

Complete credited cast:
Gene Hackman ... Harry Caul
John Cazale ... Stan
Allen Garfield ... Bernie Moran
Frederic Forrest ... Mark
Cindy Williams ... Ann
Michael Higgins ... Paul
Elizabeth MacRae ... Meredith (as Elizabeth Mac Rae)
Teri Garr ... Amy
Harrison Ford ... Martin Stett
Mark Wheeler ... Receptionist
Robert Shields Robert Shields ... The Mime
Phoebe Alexander Phoebe Alexander ... Lurleen
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Storyline

Harry Caul is a devout Catholic and a lover of jazz music who plays his saxophone while listening to his jazz records. He is a San Francisco-based electronic surveillance expert who owns and operates his own small surveillance business. He is renowned within the profession as being the best, one who designs and constructs his own surveillance equipment. He is an intensely private and solitary man in both his personal and professional life, which especially irks Stan, his business associate who often feels shut out of what is happening with their work. This privacy, which includes not letting anyone into his apartment and always telephoning his clients from pay phones is, in part, intended to control what happens around him. His and Stan's latest job (a difficult one) is to record the private discussion of a young couple meeting in crowded and noisy Union Square. The arrangement with his client, known only to him as "the director", is to provide the audio recording of the discussion ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Harry Caul will go anywhere to bug a private conversation. See more »


Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

June 1974 (France) See more »

Also Known As:

La conversación See more »

Filming Locations:

California, USA See more »

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Box Office

Budget:

$1,600,000 (estimated)

Gross USA:

$4,420,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono | Dolby Digital (restored version)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Walter Murch served as the Supervising Editor and Sound Designer. Murch had more or less a free hand during editing, since Francis Ford Coppola was already working on The Godfather: Part II (1974) at the time. See more »

Goofs

When Harry Caul is in the elevator, you see the woman come in and three buttons are pushed. After stopping on a floor, a cut back to the shot of the woman and only one button remains lit whereas two should still be lit. See more »

Quotes

[first lines]
Passerby: Well, I want to go over to my place and start, you know, getting it on...
Ann: Oh, that's terrible.
Mark: Yeah. Do you ever, uh... ballet?
Ann: Be thankful. Do you have a quarter for them?
Mark: Yes, I do.
Ann: [gives it to street band]
Ann: What about me?
Mark: You'll see.
Ann: A lot of fun you are. You're supposed to tease me, give hints, make me guess, you know.
See more »

Connections

Featured in The Pervert's Guide to Cinema (2006) See more »

Soundtracks

Bill Bailey Won't You Please Come Home
(1902)
Written by Hughie Cannon
Sung by an unidentified duo
See more »

Frequently Asked Questions

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User Reviews

One of the 1970s best!
12 March 2002 | by InfofreakSee all my reviews

'The Conversation' sadly doesn't get mentioned as much as Coppola's other (more flamboyant) seventies movies ('The Godfather' parts one and two, 'Apocalypse Now'), even though it as good as, if not better than the aforementioned. In fact if someone argued that this was his greatest achievement as a director, I would be hard pressed to disagree.

'The Conversation' bears many similarities to Antonioni's 'Blowup', another superb movie that requires multiple viewings to really appreciate. Both movies are very much of their time, and therefore 'The Conversation' is fuelled by the keywords of the decade it was made in - paranoia and deceit. The other main difference between the two movies it that 'The Conversation' is not only a head trip but also a taut and suspenseful thriller. Post Simpson/Bruckheimer audiences may not have the attention spans to appreciate it, but that is their failing, not this movie's.

Gene Hackman gives one of the finest performances of his career here as the complex and troubled surveillance expert Harry Caul, one that is possibly rivaled only by his too little seen gem 'Scarecrow'. And the supporting cast is first rate, and includes the late John Cazale, a favourite of Coppola's, Harrison Ford, Frederick Forrest, Cindy Williams, Teri Garr, and (an uncredited) Robert Duvall. Last but not least a superb turn from the underrated Allen Garfield, an actor who has appeared in many odd movies, from 'Get To Know Your Rabbit' to 'Destiny Turns On The Radio'. He is dynamite here, in a role originally intended for the legendary Timothy Carey, as a pushy rival bugging expert.

'The Conversation' is hypnotic, multi-layered and haunting. See it whatever you do.


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