Set in 1938 Berlin, Louise Von Hollendorf is the wife of a young Nazi diplomat who meets and falls in love with a certain Mitsuko Matsugae, an artist and the daughter of the Japanese ... See full summary »
A forty year old woman, who has been in an asylum, goes to live with her brother's family. She proves incapable of adapting herself to family life, takes refuge in the country alone with her memories, and is later returned to the asylum.
Peter Gonzales Falcon
Fausto's mother refuses to accept the fact that her child is deaf, and refuse to send him to a special school where he can learn sign language. His aunt, though, teaches him to communicate,... See full summary »
Germany in the early 1930s. Against the backdrop of the Nazis' rise, Herman Hermann (Sir Dirk Bogarde), a Russian émigré and chocolate magnate, goes slowly mad. It begins with him seating ... See full summary »
Rainer Werner Fassbinder
Thirteen years after World War II, concentration camp survivor Lucia (Charlotte Rampling) and her tormentor Max (Sir Dirk Bogarde), currently the night porter at a Vienna hotel, meet again and fall back into their sado-masochistic relationship.Written by
Ed Sutton <email@example.com>
According to Writer and Director Liliana Cavani, Charlotte Rampling (Lucia) declined doing another take of a fight scene between her and Sir Dirk Bogarde (Max), because many of the blows he threw were real. See more »
The man with the glass spectacle over his eye is usually shown with the spectacle over his left eye -- one time, though, he's wearing the spectacle over his right eye. See more »
You were always insane, and you still are.
Sane, insane then... hm. Who's to judge?
[referring to himself and Lucia]
And just you remember... we're both in the same boat.
See more »
A jaw-dropping study on love in the most obscure of circumstances. It's an intense and compelling study of these characters who flow in the most opposite of circles (one a Nazi, the other a Jewish prisoner in the concentration camp he works at) and a love that transcends anything I've imagined experiencing. I've heard the film called dull numerous times and I could see why one would think this, but I thought the haunting silences only made the film more engaging and had my eyes further glued to the screen. The structure of spasmodically switching from scenes in the concentration camp to when the two lovers see each other again in 1957 really helped put the viewer into the mind-set of the two main characters. It jars the mind and keeps us aware of this inordinate love and why these people are so confused and attracted to one another. A truly original technique that I really admired. Liliana Cavani uses angles and wide-shots that create a haunting sense of passion and really made the cinematography rank high among my all time favorites. Dick Bogarde and especially Charlotte Rampling are phenomenal. Their performances are passionate, intense and natural. The film certainly lived up to my expectations.
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