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The Night Porter (1974)

Il portiere di notte (original title)
R | | Drama | 1 October 1974 (USA)
After a chance meeting at a hotel in 1957, Holocaust survivor Lucia (Charlotte Rampling) and Nazi officer Max (Sir Dirk Bogarde), who tortured her, resume their sadomasochistic relationship.

Director:

Liliana Cavani

Writers:

Liliana Cavani (screenplay), Italo Moscati (screenplay) | 5 more credits »
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2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Dirk Bogarde ... Max
Charlotte Rampling ... Lucia
Philippe Leroy ... Klaus
Gabriele Ferzetti ... Hans
Giuseppe Addobbati ... Stumm
Isa Miranda ... Countess Stein
Nino Bignamini Nino Bignamini ... Adolph
Marino Masé ... Atherton (as Marino Mase')
Amedeo Amodio Amedeo Amodio ... Bert
Piero Vida Piero Vida ... Day Porter
Geoffrey Copleston Geoffrey Copleston ... Kurt
Manfred Freyberger Manfred Freyberger ... Dobson (as Manfred Freiberger)
Ugo Cardea Ugo Cardea ... Mario
Hilda Gunther Hilda Gunther ... Greta
Nora Ricci ... The Neighbor
Edit

Storyline

Thirteen years after World War II, concentration camp survivor Lucia (Charlotte Rampling) and her tormentor Max (Sir Dirk Bogarde), currently the night porter at a Vienna hotel, meet again and fall back into their sado-masochistic relationship. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Add Synopsis

Taglines:

The Most Controversial Picture of Our Time!

Genres:

Drama

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Italy

Language:

English

Release Date:

1 October 1974 (USA) See more »

Also Known As:

The Night Porter See more »

Filming Locations:

Lazio, Italy See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor) (Eastmancolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

According to Writer and Director Liliana Cavani, Charlotte Rampling (Lucia) declined doing another take of a fight scene between her and Sir Dirk Bogarde (Max), because many of the blows he threw were real. See more »

Goofs

The man with the glass spectacle over his eye is usually shown with the spectacle over his left eye -- one time, though, he's wearing the spectacle over his right eye. See more »

Quotes

Countess Stein: You were always insane, and you still are.
Max: Sane, insane then... hm. Who's to judge?
[referring to himself and Lucia]
Max: And just you remember... we're both in the same boat.
See more »

Connections

Featured in Indie Sex: Extremes (2007) See more »

Soundtracks

Sonata 1950
(uncredited)
Composed by Daniele Paris
See more »

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User Reviews

 
A masterpiece.
7 February 2008 | by dead47548See all my reviews

A jaw-dropping study on love in the most obscure of circumstances. It's an intense and compelling study of these characters who flow in the most opposite of circles (one a Nazi, the other a Jewish prisoner in the concentration camp he works at) and a love that transcends anything I've imagined experiencing. I've heard the film called dull numerous times and I could see why one would think this, but I thought the haunting silences only made the film more engaging and had my eyes further glued to the screen. The structure of spasmodically switching from scenes in the concentration camp to when the two lovers see each other again in 1957 really helped put the viewer into the mind-set of the two main characters. It jars the mind and keeps us aware of this inordinate love and why these people are so confused and attracted to one another. A truly original technique that I really admired. Liliana Cavani uses angles and wide-shots that create a haunting sense of passion and really made the cinematography rank high among my all time favorites. Dick Bogarde and especially Charlotte Rampling are phenomenal. Their performances are passionate, intense and natural. The film certainly lived up to my expectations.


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