A fledgling Staten Island journalist witnesses a brutal murder in the neighboring apartment of a French-Canadian model, but the police do not believe that the crime took place. With the help of a private detective, she seeks out the truth.
Brian De Palma
Keith Gordon is a creative young man who films the oddball doings of his family and peers. "The Maestro" appears frequently to give him pointers on his techniques. It's almost a film about ... See full summary »
Evil record tycoon Swan has sold his soul to the devil for eternal youth and success - 20 years ago. Swan's current scheme is to steal the music from composer Winslow Leach to celebrate the opening of his rock palace, The Paradise. While trying to stop Swan, Leach was framed and convicted for drug dealing, and becomes the victim of a freak accident that leaves him horribly disfigured. He takes refuge in the cavernous Paradise, hiding his mangled face beneath an eerie mask and planning gruesome vengeance upon Swan - and everyone else who has hurt him. However, Leach signs a contract with Swan to complete his rock opera based on the legend of Faust for an aspiring singer - Phoenix.Written by
On Phoenix's mirror after the concert in which she becomes a star is a magazine advert with the headline "I'm a Harper's Freak". Phoenix was played by Jessica Harper. See more »
Swan is sitting watching his tape, after the car blows up on stage and sees the Phantom for the first time, in a black suit with a red shirt. When he comes out of the room and sees Winslow, he is wearing a tan suit with a white shirt. See more »
Swan... he has no other name. His past is a mystery, but his work is already a legend. He wrote and produced his first gold record at 14; in the years since then, he has won so many other that he once tried to deposit them in Fort Knox. He brought the blues to Britain. He brought Liverpool to America. He brought folk and rock together. His band, the Juicy Fruits, single-handedly gave birth to the nostalgia wave of the '70s. Now he is looking for the new sound of the spheres, to inaugurate his ...
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The closing credits feature a series of montages of the cast members, identifying each by name, starting with the musical trio (Oblong, Hahn, Comanor) and concluding with William Finley as Winslow/The Phantom. These montages are made up of shots ostensibly from the movie, and most of them are, but there are also numerous outtakes. See more »
In the pre-release (or press) prints of the movie, the scene where Winslow was disfigured by the record press was longer; His disfigured face was briefly seen steaming with smoke from the press, and Winslow then killed the cop that surprised him (and shot him in the leg, which explained why Winslow walked with a limp for most of the film; however, he was able to run with the greatest of ease towards the end). The scene was removed from subsequent versions, as it was best decided that Winslow's disfigured visage be revealed at the end of the film. See more »
This is probably one of those ones that most people either love or hate, so there isn't that much point in trying to sell it to anyone. I've been hugely attached to it since it came out. I don't think I'm alone in saying that it's "my" answer to Rocky Horror (which to me is simply "entertaining" - which is no insult). A lot of people seem to really dislike Paul Williams. But, love him or hate him, he threw himself completely into the role of Swan. To me, Swan is one of the best comical or semi-comical villains ever (it took me a long while to think of it, but I wonder whether his use of the word "Excellent" in one scene might have inspired Mr. Burns' line on The Simpsons). Everyone else was very good in it, obviously Gerritt Graham as Beef, and George Memmoli as Philbin. I wish , in the first place, that there were FEWER tongue-in-cheek horror films (or whatever you want to call them), and in the second place, that they were as original as this one.
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