When a fashion model dies during an abortion, a series of murders begins, starting with her doctor. The next victims are connected to the modeling agency where she worked, Albatross, run by...
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When a fashion model dies during an abortion, a series of murders begins, starting with her doctor. The next victims are connected to the modeling agency where she worked, Albatross, run by a hard edged and jealous bi-sexual, Gisella, married to a Farouk-like dissolute. One suspect is Carlo, a playboy photographer who has a hot temper and refuses to share information with the police. He becomes the lover of Magda, another photographer at the agency, who's probably in danger. The murderer wears a black motorcycle outfit and helmet. Will anyone discover the murderer's identity before the entire agency dies?Written by
As Maurizio (Franco Diogene) enters the bathroom, wearing just his underwear, the camera and a crew-member can be seen in the mirror to the left of him. See more »
German dvd features the uncut version of the film, which is similar to the R1 dvd release, except for the pre-credit opening scene. The German dvd has the sequence in normal color, whereas the R1 dvd has the sequence tinted blue. See more »
Winner of the Germaine Greer 'Equality' Award 1975
Strip nude for Your killer must be, for me, the most outrageously sexist giallo ever made. Fair enough, you've got to expect a fair amount of it in these movies(or else you'd be let down) but Andrea Bianchi runs with misogyny ball so far that he leaves the park, gets in a taxi with it, goes to the airport, and throws the ball on a plane to some uncharted island in the pacific.
Which, by the way, makes this film quite entertaining.
After someone kills a doctor who's botched abortion killed his patient, the film shifts focus to a modelling agency and all the suspects/victims therein. Specifically, we get to focus on Magda (Edwige Fenech), a photographer...and Carlo, who is also a photographer. Carlo takes the biscuit as the most sexist Italian movie hero I've laid eyes on. We first see him sexually harassing a young girl (and succeeding!), then he hooks up with Edwige, seemingly immediately moving in to her apartment, moaning about his coffee, and reading the paper while ignoring her. Edwige, for her part, doesn't seem to mind being called stupid, being shouted at, or even throttled. Ah, the innocence of young love.
Oh, and there's some murders too. Our motorcycle-helmeted killer starts working his way through the cast, and I won't really go into much detail about it as it's a giallo, but if you want to see an extremely fat man trying it on with a model, then this is the film for you. Our chicks are there for eye candy, except for the boss of the agency, so of course that makes her a lesbian.
Weirdly, I expected LESS from the director of The Zombie Dead, but here, at least on a technical level, he seems to do a bit better. There's some nice Argento/Bava style cinematography, and the music is what you'd expect. Violence wise it's touch and go, with some nice gore effects but not much carnage. However, clothes fly off without much prompting so you've not got much to worry about there.
Fun stuff...not a top giallo, but I can't help but be impressed.
And, as usual, the ending is jaw-droppingly stupid, and morally questionable.
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