Richard Pryor is playing three different roles here. The first being a poor orange picker named Leroy Jones who gets laid off when by mistake he joins the worker's union during one of their... See full summary »
Joe Braxton is an ex-con who has been given a second chance to freedom after violating his probation. He has been hired by a school teacher named Vivian Perry to repair and drive an old ... See full summary »
Angel Ramirez Jr.
Dave Anderson and Manny Durrell are two high-class sneak thieves who have never been caught. Joshua Burke is a retired detective who has enough evidence on the both of them to put them ... See full summary »
James Earl Jones
Tired of the slave-like treatment of his team's owner, charismatic star Negro League pitcher Bingo Long takes to the road with his band of barnstormers through the small towns of the Midwest in the 1930's.
Billy Dee Williams,
James Earl Jones,
This movie is about a close-knit group of employees who one day have all manner of strange visitors coming onto their forecourt, including Richard Pryor as a preaching "wonder-man" who is loved by most, but loathed by one, and a man who looks like a thief by the way he is holding his bottle, but it is really his urine sample as he is off to the hospital. T.C.'s love life takes a turn for the better, and the songs keep coming.Written by
Graeme Huggan <email@example.com>
The year before, Sully Boyer was part of another ensemble film that takes place in the course of a day (and/or night): That being Dog Day Afternoon. In both, he's in charge of a group of employees. See more »
The Taxi Driver:
You probably noticed I ain't got nothing against you people. I ain't got nothing against you people. I ain't got nothing against any people. That's what I think we need, is more love in the world. I don't know about marriage, I don't know if I'd go that far. But, ah, I believe in the lunch counter thing. I think if a guy wants to be able to get something to eat, he oughta be able to get something to eat, you know.
[honking and yelling at traffic]
The Taxi Driver:
C'mon, let's move it up there! What is this, a ...
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The list of all the main actors and actresses in alphabetic order scroll up at the film's beginning, followed by the film's title. See more »
The TV network version has all of the raunchy scenes, including the ones with the drag queen Lindy, cut and many more added which include:
Hippo first arriving at the car wash and parking his moped in the back lot where he meets Chuco, the Latino worker, getting off a flatboard truck that he is riding in with other Latinos going to work and they whistle at two women passing by.
The first scene with Slide ariving and parking his blue Cadillac down the streen, saying "Hi" to T.C. combing his huge afro hairstyle in front of a store window, and putting an LAPD Out of Order cover on the parking meter rather than paying for it. (This explains Slide's arrest later in the movie for 37 parking tickets.)
The first scene in the locker room has Lonnie, Hippo and Chuco getting into their work clothes while listing to the radio about a bombing by the Mad Pop Bottle Bomber, and Charlie walks in coughing and Hippo comments on Charlie's cough.
Snapper arriving for work and meeting Earl a.k.a.: Mr. Clean getting out his car and removing a polisher from the trunk.
A scene at Big Joe's Dog House next door to the car wash with Joe (Danny DeVito) arguing with Terry (Brooke Adams) about her looking at another guy while parked at a stoplight on their way to work.
Another scene at Big Joe's with Joe aruguing with Terry about the work they do while planing breakfast for the first customers.
The montage of washing cars has some scenes with Marsha putting on more makeup and hairspray in place of the shots of Irwin smoking pot in the mens room and Goody walking in on him.
The scene where Earl talks to the Oldsmobile owner is extended with Earl offering to polish the man's car and offers $18.50 for the job which will last four hours, and the car owner finally agrees.
A scene where Irwin sees a plate danish pastries and takes one which his father Mr. B, tense and worried about everything, takes it away and chases him away. While Mr. B is talking to Marsha about an obituarry of a friend dying, Irwin returns and takes the entire plate of danish away to the pinball room to eat them.
A shot of the hooker in the ladies room looking at her self in another fashion with a brunette wig, she decides she does not like it and begins changing into another fashion.
A scene at Big Joe's where Terry is talking to two policemen about her and Joe seeing the movie "Carrie" the other night, the mailman Barney arriving with Joe's mail, and Joe telling the policemen that the coffee they are drinking is 70 cents with their dounuts. One cop balks saying that Terry gives them coffee for free. Terry is somewhat embarrased and Joe angrilly sweezes a jelly dounut so hard that the jelly splurts out.
More dialouge between the Hysterical Woman outside the ladies room while Scruggs gets her ill son a bucket for him to throw up in.
While Marsha is chating with Lindy outside the ladies room, Terry is handling a customer, and Joe delivers Mr. B's lunch where he asks Joe if the meat is lean.
The first scene of the litharo Kenny is at Big Joe's where he pays Terry for his coffee and kisses her hand much to her shock, Joe sees this and angrilly storms out of the place with Terry following after him. (They are seen in the background by Marsha as she eyes Kenny aproaching her.)
Terry arriving back at the hamburger stand in tears where she is comforted by Maureen the hooker who tells her about her troubles with a man named Joe too.
A scene which comes after T.C. pushes Terry away from the phone booth for him to call and win the radio contest, Terry enters the phone booth after T.C. leaves and calls her mother and asks if Joe is there with her.
A scene where Terry is closing down Big Joe's for the day, Joe returns and as Maureen the hooker watches, he and Terry kiss and make up.
Marsha's storyline ends on a more downbeat note as while waiting for Kenny to pick her up, she says goodbye to Chuco as he board the same flatboard truck with the other Latino workers heading for home, Kenny arrives with his date, a more attractive woman, as well his obnoxious friend Benny as Marsha's date. Marsha is crushed but has no choice but to accompany them for their evening out.
More dialogue between Justin and Snapper, his grandfather, while they are waiting for the bus where Loretta arrives and Justin says hi to her before going back to Snapper and tells him that he's going to get a ride with her.
The first time I saw this movie I laughed so hard my stomach hurt. My family had owned a car wash, detail company before and I could see that the writer of this movie had done his respective homework on the character development!! The motley crew that we had employed, were just about in the exact same 'vein' of life as these, 'cons' 'crazy men' and 'criminals' that made up the perfect cast in 'Carwash'! I loved this for simple reasons, it simply hit right on it.
Sully Boyer, the car-wash owner was a perfectly in place, dis-placed business owner, complete with bad marriage and regrets of owning the wash and not making it a parking lot, like his brother, who could now buy and sell him. There was T.C. (Theodore Chancey Talcott)played by Franklin Ajaye, who's 'hook' in the story was he was imagining that he would be a super hero, named 'The Fly'. "I'd be sharp, sharp, sharp, man. No one would mess with me." Standing with Lloyd by the rag sinks. But he was also in love with Mona. The fine foxy broad who worked at the café, 'Five Spot'. With the whole 'dryer line' to dry the cars as they pulled out from the washing area. The Mexican worker who would harass his Indian friend and back and forth it would go, all the while on the clock! The fighting couple with the classic Mustang to the hippie Jewish kid, well versed in ghetto speak. This movie had it all. Enter Richard Pryor, as the fast-talking money grabbing Rev. Daddy Rich. accompanied by the Pointer sisters! Hilarious!! The more I watch this the more astounded I am at how true to life and form these characters interact with one another.
Even an ending that was serious enough, to put a well-rounded effect on the out come of the plot and m.o. of the players. It showed, Loni cared about a young upstart punk, enough to see more in him than he himself(Ackbar-'Duane')could see for himself. Loni(Ivan Dixon's character)simply believed in Duane. That was what Duane needed to not end up in prison. He needed someone to believe in him, not use him to rob a company and go straight to prison.
I recommend this highly to those who love the seventies, a great comedic 'everyday' work-situation and doesn't necessarily need car chases or explosions, special effects etc. Bravo. (****)
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