8.1/10
132,108
371 user 165 critic

Network (1976)

A television network cynically exploits a deranged former anchor's ravings and revelations about the news media for its own profit.

Director:

Sidney Lumet

Writer:

Paddy Chayefsky
Reviews
Popularity
1,733 ( 133)

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Top Rated Movies #196 | Won 4 Oscars. Another 16 wins & 26 nominations. See more awards »

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Cast

Cast overview, first billed only:
Faye Dunaway ... Diana Christensen
William Holden ... Max Schumacher
Peter Finch ... Howard Beale
Robert Duvall ... Frank Hackett
Wesley Addy ... Nelson Chaney
Ned Beatty ... Arthur Jensen
Arthur Burghardt ... Great Ahmed Kahn
Bill Burrows ... TV Director
John Carpenter ... George Bosch
Jordan Charney ... Harry Hunter
Kathy Cronkite ... Mary Ann Gifford
Ed Crowley ... Joe Donnelly
Jerome Dempsey ... Walter C. Amundsen
Conchata Ferrell ... Barbara Schlesinger
Gene Gross Gene Gross ... Milton K. Steinman
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Storyline

In the 1970s, terrorist violence is the stuff of networks' nightly news programming and the corporate structure of the UBS Television Network is changing. Meanwhile, Howard Beale, the aging UBS news anchor, has lost his once strong ratings share and so the network fires him. Beale reacts in an unexpected way. We then see how this affects the fortunes of Beale, his coworkers (Max Schumacher and Diana Christensen), and the network. Written by Bruce Janson <bruce@cs.su.oz.au>

Plot Summary | Plot Synopsis

Taglines:

Prepare yourself for a perfectly outrageous motion picture! See more »

Genres:

Drama

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

27 November 1976 (USA) See more »

Also Known As:

Network See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Sidney Lumet claimed that he wanted to cast Vanessa Redgrave in the film, but Paddy Chayefsky didn't want her. Lumet argued that he thought she was the greatest English-speaking actress in the world, while Chayefsky, a proud Jew and supporter of Israel, objected on the basis of her support of the PLO. Lumet, himself a Jew, said "Paddy, that's blacklisting!", to which Chayefsky replied, "Not when a Jew does it to a Gentile." The year after this film swept the Oscars, Redgrave won a Best Actress in a Supporting Role Oscar for Julia (1977). The Jewish Defense League had protested her nomination, and was picketing and burning her in effigy outside the Academy Awards ceremony. In her controversial acceptance speech, Redgrave decried intimidation by "Zionist hoodlums". Chayefsky was one of the scheduled presenters later in the evening, and he took a moment to express his contempt at Redgrave for "exploiting" the Academy Awards for "personal propaganda". See more »

Goofs

The obituary for UBS Chairman of the Board Edward George Ruddy is shown with the character's information superimposed over the title area, with real January, 1975 obituaries for Revlon founder Charles Revson and screenwriter Sidney Buchman listed below. Additionally, the movie is set during fall 1975, months after Ruddy's death. See more »

Quotes

[first lines]
Narrator: This story is about Howard Beale, who was the news anchorman on UBS TV. In his time, Howard Beale had been a mandarin of television, the grand old man of news, with a HUT rating of 16 and a 28 audience share. In 1969, however, his fortunes began to decline. He fell to a 22 share. The following year, his wife died, and he was left a childless widower with an 8 rating and a 12 share. He became morose and isolated, began to drink heavily, and on September 22, 1975, he was fired, ...
[...]
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Connections

Referenced in Making 'Murder on the Orient Express' (2004) See more »

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User Reviews

 
We Have Seen the Future, And It Sucks
28 December 2005 | by PutzbergerSee all my reviews

This movie came out when I was nine years old, and I saw it on network TV the following year, lured by the brouhaha that surrounded the use of the "barnyard epithet" during prime time. I loved this movie before I understood it, and I worship it now. Like "Elmer Gantry" or "1984," it's a work of didactic art that only fails on an imaginative level -- Sinclair Lewis couldn't grasp how debased evangelism would become, Orwell couldn't foresee the excesses of Mao or Pol Pot, and Chayevsky couldn't envision the absolute decline of television from a vast wasteland to a malevolent sewer. Fox News, reality TV, even the OJ chase, "Network" anticipates every vile bit of it.

Now, it's ridiculously overwritten -- NO ONE is as articulate as the characters in this film, and most certainly, no one who works in television is as literate as Diana Christensen (the Faye Dunaway character). I doubt that poet laureates or even Eminem could spew as witty an aside as "muttering mutilated Marxism." But damn if that isn't part of its charm. Plus, outside of Max Schumacher (William Holden), the characters are pretty much archetypes instead of real people (the Robert Duvall character might as well wear a black cape and top hat), but their two-dimensionality works as a good metaphor for Max's seduction into the "shrieking nothingness" or television. Plus the actors are so superb they make screeching caricatures into almost-sympathetic characters: Duvall is a credible and charismatic villain, Finch is a fine mad prophet and Faye Dunaway manages to make a shrill, manipulative, soulless neurotic so damn cute and sexy you'll want to leave your wife for her, too, just as long as she promises to keep sitting cross-legged on your desk and hitching up her skirt. (Therein lies the real eroticism, forget the intentionally mechanical, unerotic coupling later in the flick). Anyway, this is complex, high art masquerading as popular entertainment, go rent it now.


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