Queen Elisabeth I travels 400 years into the future to witness the appalling revelation of a dystopian London overrun by corruption and a vicious gang of punk guerrilla girls led by the new Monarch of Punk.
In this Derek Jarman version of Christopher Marlowe's Elizabethan drama, in modern costumes and settings, Plantagenet king Edward II hands the power-craving nobility the perfect excuse by ... See full summary »
An unseen woman recites Shakespeare's sonnets - fourteen in all - as a man wordlessly seeks his heart's desire. The photography is stop-motion, the music is ethereal, the scenery is often ... See full summary »
A nearly wordless visual narrative intercuts two main stories and a couple of minor ones. A woman, perhaps the Madonna, brings forth her baby to a crowd of intrusive paparazzi; she tries to... See full summary »
Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both ... See full summary »
A dramatization, in modern theatrical style, of the life and thought of the Viennese-born, Cambridge-educated philosopher Ludwig Wittgenstein (1889-1951), whose principal interest was the ... See full summary »
A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of ... See full summary »
300 A.D. : the Roman Sebastianus is exiled to a remote outpost populated exclusively by men. Weakened by their desires, these men turn to homosexual activities to satisfy their needs. However, Sebastianus becomes the target of lust for a homosexual centurion, but he rejects the man's advances.Written by
Jonathon Dabell <J.D.@pixie.ntu.ac.uk>
The title is the Latin vocative form of Sebastian's name, and means "O Sebastian!". See more »
It takes a full minute for Sebastian to pour his jug of water onto himself, a seemingly long and impossibly protracted amount of time. He finally sets the jug down but then proceeds to continue his shower with water hitting him from somewhere overhead. (Presumably he had just trained the desert air how to accommodate him by demonstrating a desired effect, and the desert air obliges by squeezing copious amounts of water from itself to wash him.) See more »
His eyes are so beautiful. He has sky-blue eyes.
What is this? What are you talking about?
His hair is like the sun's rays.
His body is golden like molten gold. This hand of his... will smooth away these wounds. Justin, he is as beautiful as the sun. This sun which caresses me... is his burning desire. He is Phoebus Apollo. The sun... is his... burning kiss.
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When shown on British television in the 1980s, a shot of a naked man with the erection was cut out of the film. See more »
Derek Jarman's lovingly erotic & humanist vision of St Sebastian
I first saw this when it came out in 1976 & had almost forgotten it. Derek Jarman's first feature film & one of his superlative creations. Intensly erotic and shot with loving attention to the beauty of the male body. The seemingly endless stretches of white sand create an idyllic & almost dreamlike atmosphere. However it also acts as a stark backdrop, that forces our attention onto the only too realistic actions & emotions of this isolated group of soldiers.
The characters are complex and cannot be just categorised into "good" & "evil". Even Severus has repressions which have festered into hatred by being internalised. Saint Sebastian shines on his journey towards piety & to the iconic image of his body pierced with arrows. But Jarman always retains the realistic humanity of this playful, loving and courageous character.
Don't want to harp on the bodies beautiful, but as a general comment it is a rarity to be able to enjoy the male nude. Male film-goers are oversupplied with boobs, bottoms & pubes, while women (half of humanity) usually have to make do with "tastefully posed" shots. Thank God for directors like Derek Jarman, Ken Russell, Pasolini, Fellini & most European film-makers who don't believe the audience will be struck dead if they see a penis.
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