Homicide detective Steve Carella is trying to solve the brutal murder of 17-year-old Muriel Stark. Her younger cousin Patricia, who saw the killer and barely escaped with her life, helps him. However, the case soon takes a bizarre turn.
An art student is thrown out of college. Depressed, he comes up with the Party of Dynamic Erection, a near-fascist "party" that promotes male sexual dominance, and which attracts a couple of other unsavory confused characters.
Contract hitman Jay Mallory works for an unknown organization. He returns to his apartment one day to find his wife, Celandine, gone. Mallory initially thinks that Celandine has left on her own, but soon, believes her disappearance may be associated with his last job. The organization assigns Mallory another job in, England, about which Mallory feels there's something unusual. He's given little information, including not knowing who the target is, and that it too, is associated with Celandine's disappearance. Despite feeling he's being set up, Mallory decides to take the job anyway to see how it plays out, and if it leads him back to Celandine.Written by
Closing credits: All characters and events in this film are fictitious and any similarity to actual events or persons, living or dead, is purely co-incidental. See more »
There are three different versions of The Disappearance.
Version 1: The original director's cut which runs at 101 minutes and is healthily non-linear, influenced by the temporal experiments of earlier films such as Hiroshima Mon Amour, Don't Look Now and Point Blank.
Version 2: An unauthorized, shortened, re-edited version by Fima Noveck that runs at 81 minutes and attempts to put the narrative into a more coherent order by reducing the complexity of the narrative by coding the instances of non-linearity as flashbacks; and reducing their frequency and length.
Version 3: A third version that runs at 91 minutes but maintains the jumbled time frame and comes across as a leaner and more abstract version of the original. See more »
The Disappearance, to me, is a Hitchcock wannabe that simply isn't. It's a slowly paced, talky thriller that just doesn't cut it. Donald Sutherland and the cast are great, but there are so many British actors in the cast that the term "Canadian-Made" sounds like a cheat. If this is a Canadian movie, wouldn't it have been better if they had put all Canadian actors in the cast? Also, if the movie takes place in Montreal (a mostly French-speaking city), wouldn't it have made more sense to have Sutherland's character do his foreign assignment in somewhere like Paris, France, instead of in England? After all, this is not a British movie, it's Canadian.
It surprised me that Sutherland and Francine Racette were married and had 3 children.
I recommend this only for fans of deep psychological thrillers. As for me, I think I will be putting a "Previously Viewed" label on this one and dropping it in the drop-off slot at my local video store.
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