A police Lieutenant uncovers more than he bargained for as his investigation of a series of murders, which have all the hallmarks of the deceased Gemini serial killer, leads him to question the patients of a psychiatric ward.
Years before Father Lankester Merrin helped save Regan MacNeil's soul, he first encounters the demon Pazuzu in East Africa. This is the tale of Father Merrin's initial battle with Pazuzu and the rediscovery of his faith.
Dr. Gene Tuskin works with troubled children, perhaps none more troubled than Regan MacNeil, who suffers from bad dreams and repressed memories. The memories she represses are of the time she was possessed by a demon. Dr. Tuskin's invention, a device that hypnotizes two persons and links their minds together, reveals that the demon, named Pazuzu, still lurks within her. It is desperate to emerge again and wreak havoc. Meanwhile, Father Philip Lamont is ordered by his cardinal to investigate the death of Father Merrin, the priest who died while performing an exorcism on Regan. Father Lamont undertakes his task reluctantly. He feels unworthy of his assignment. He also feels that Evil is literally an entity and that this entity is winning the battle over Good. His investigation takes him to Africa where he locates another recipient of Merrin's exorcising and learns something fascinating and terrible about locusts.Written by
William O'Malley was contacted to reprise his role as Father Joseph Dyer from the first film. However, O'Malley was busy and could not take up the part, and the character of Father Dyer was changed to Father Philip Lamont. See more »
The institution where Regan receives treatment has glass offices in which you can see the patients and their counselors with the only privacy being offered is by audio. Glass rooms in actual institutions usually have blinds/ curtains to provide visual privacy. See more »
Father! Agh! Agh! Oh, Father!
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Tap Dance Routine Choreographed by Daniel Joseph Giaghi See more »
The Japanese NTSC Laserdisc contains the recut 110-minute version of the film. See more »
I was fortunate enough to see the extended, three-hour plus cut of this movie in its original preview run, and what I saw took my breath away. In its complete state, EXORCIST II: THE HERETIC could have very well been one of the best sequels ever made, worthy of mention in the same vein as ALIENS, GODFATHER 2 and even TERMINATOR 2. But in their corporate "wisdom," I have to assume that Warner Brothers figured that audiences were too impatient or too stupid to 'get' everything that the movie was trying to say, so they yanked creative control away from John Boorman, and recut it into the disjointed monstrosity that most moviegoers have had the enormous misfortune to see.
I dream that someday Mr. Boorman will be able to restore it and release a deluxe DVD edition that will leave both film buffs and critics alike absolutely speechless...and I mean in a GOOD way. Assuming, of course, that the vital footage has not been lost forever. Until then, this version deserves every bit of the ridicule it has received and then some. Die hard fans of the featured actors may still want to catch it, because the discerning eye will be able to tell from the performances of Burton, Blair, Fletcher and Kitty Winn that there's a lot of "between-the-lines" material that is missing, thereby rendering great performances from everyone involved into massive attacks of something resembling cinematic Tourette's Syndrome.
And even with the way it was wrecked, regardless of popular opinion, I still consider the score to be among the best that Morricone has ever composed for any film, (with his absolute best a tie between ONCE UPON A TIME IN THE WEST and THE UNTOUCHABLES.)
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