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Suspiria (1977)

R | | Horror | 12 August 1977 (USA)
An American newcomer to a prestigious German ballet academy comes to realize that the school is a front for something sinister amid a series of grisly murders.

Director:

Dario Argento

Writers:

Dario Argento (screenplay), Daria Nicolodi (screenplay)
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Popularity
2,242 ( 46)
3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jessica Harper ... Suzy Bannion
Stefania Casini ... Sara
Flavio Bucci ... Daniel
Miguel Bosé ... Mark (as Miguel Bosè)
Barbara Magnolfi ... Olga
Susanna Javicoli Susanna Javicoli ... Sonia
Eva Axén ... Pat Hingle
Rudolf Schündler ... Prof. Milius
Udo Kier ... Dr. Frank Mandel
Alida Valli ... Miss Tanner
Joan Bennett ... Madame Blanc
Margherita Horowitz Margherita Horowitz ... Teacher
Jacopo Mariani ... Albert
Fulvio Mingozzi Fulvio Mingozzi ... Taxi Driver
Franca Scagnetti Franca Scagnetti ... Cook
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Storyline

Suzy Bannion travels to Germany to perfect her ballet skills. She arrives at the Tanz dance academy in the pouring rain and is refused admission after another woman is seen fleeing the school. She returns the next morning and this time is let in. She learns that the young woman she saw fleeing the previous evening, Pat Hingle, has been found dead. Strange things soon begin to occur. Suzy becomes ill and is put on a special diet; the school becomes infested with maggots; odd sounds abound; and Daniel, the pianist, is killed by his own dog. A bit of research indicates that the ballet school was once a witches' coven - and as Suzy learns, still is. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

The Most Frightening Film You'll Ever See! See more »

Genres:

Horror

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Tubi

Country:

Italy

Language:

Italian | Russian | English | German | Latin

Release Date:

12 August 1977 (USA) See more »

Also Known As:

Dario Argento's Suspiria See more »

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Box Office

Cumulative Worldwide Gross:

$21,248
See more on IMDbPro »

Company Credits

Production Co:

Seda Spettacoli See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (35 mm optical prints)| 4-Track Stereo (35 mm magnetic prints)| Quadrophonic (Circum-Sound) (Japan theatrical release)| Dolby Atmos

Color:

Color (Eastmancolor) (prints)| Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Director Dario Argento had cinematographer Luciano Tovoli watch Snow White and the Seven Dwarfs (1937) to have him model the color scheme of that film for this one. See more »

Goofs

Cord used to pull door from its hinges visible See more »

Quotes

[first lines]
Narrator: Suzy Banyon decided to perfect her ballet studies in the most famous school of dance in Europe. She chose the celebrated academy of Freiburg. One day, at nine in the morning, she left Kennedy airport, New York, and arrived in Germany at 10:40 p.m. local time...
See more »

Crazy Credits

You have been watching "SUSPIRIA" See more »

Alternate Versions

In the aforementioned version with the pink logo, the first shot of the film (a pan across the airport as Suzy arrives at the gate) is trimmed, awkwardly broken into two shots. See more »

Connections

References The House That Screamed (1969) See more »

Soundtracks

Markos
Adapted from "Music in Similar Motion" by Philip Glass
Arranged by Claudio Simonetti, Fabio Pignatelli, Agostino Marangolo and Massimo Morante
Performed by Goblin
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Frequently Asked Questions

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User Reviews

Flawed but worth seeing
6 April 2002 | by mlzafronSee all my reviews

Having heard such mixed things about "Suspiria," I was actually somewhat pleasantly surprised. My main interest in seeing the movie was because of Joan Bennett and Alida Valli.

The sets are quite marvelous and the opening sequence appropriately gripping. I can't say that I was scared by the film. The maggot sequence was actually pretty funny. One minute they're dropping all over the place and the next there's poor Joan Bennett (I read somewhere that she did the film so she could go abroad) in her best finishing school posture and accent explaining away the problem. Don't get me wrong, but there are some genuinely creepy bits. The scene with Jessica Harper walking down the hall and seeing the old woman and the little boy and then her dance class with the sadistic Alida Valli character was unnerving.

The script needed some work. It is, as others have said, a very dreamlike/nightmarish film, but I need some sort of narrative cohesion in my movies. I also have to agree with the reviewer here who questioned the whole sleep apnea thing.

The acting is . . . uneven. Jessica Harper does fairly well as the young woman who's come to the dancing school and discovers there's much more going on. I'm not sure what to say about Bennett and Valli. I've seen it suggested that their performances were supposed to be like that--why, I don't know--but it would be to their credit if that were the case, because both of them gave much better performances in their careers. Still, glad I saw it and I will probably watch it again.


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