A boozy Broadway actress comes out of a 12-week cure to face the problems of her best friends as well as her needy daughter. She tries to balance the terrors of returning to work with the ... See full summary »
Lou Peckinpaugh, the Cheap detective has entered a world that is half Casablanca and half Maltese Falcon. A parody of Bogart's films in which Lou goes through a series of scenes from the two movies trying to keep ahead of the police who think he killed his partner and find the black bird.Written by
John Vogel <email@example.com>
Opening credits prologue: In 1939, the ominous grey clouds of war broke loose over Western Europe and rained down havoc and destruction . . . followed by humidity and gradual clearing.
In the Philippines, a small band of native guerrillas prepared secretly for the inevitable conflict that would soon engulf the East . . . This has nothing to do with our story.
Our story is about crime. Not the bad crime we face each day on our streets . . . but the good crime we came to know and love in a time when the world was innocent ... when murder wasn't something you were ashamed of ... when a bullet hole wasn't something disgusting . . . and when a man could betray a woman without feeling guilty. Our story starts in a fictitious city called San Francisco ... seven thousand miles away from Casablanca. See more »
"The Cheap Detective," as others have observed, is a sendup of two of Bogart's most famous films. The film's opening sequence sets the stage of the humor styleings which acts as both a setup and warning for the casual viewer.
The humor is smart, but almost too clever for its own good. It's funny, but you almost have to be a Neil Simon fan (or at least in tune with his writing style) to really get the gags. Not entirely true, because if you keep an open mind, and understand all or most of the references, you should have a good time :-)
Otherwise the film might go over your head, or rather you'll understand that there's supposed to be a joke at a certain moment, but won't get the entire gist because you might be unfamiliar with the material being referenced. Hence the reason why I called the film almost too clever for its own good.
It helps to be familiar with both "Casablanca" and "The Maltese Falcon" to really get all of the "in-stuff" within Simon's film. Even so there's a good amount of regular humor that should help boost the appeal to those already in the know, and at the same time salvage a film for those not.
And yeah, Anne Margaret never looked better :-)
A fairly good watch, but not for everyone.
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