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Apocalypse Now (1979)

R | | Drama, War | 15 August 1979 (USA)
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A U.S. Army officer serving in Vietnam is tasked with assassinating a renegade Special Forces Colonel who sees himself as a god.

Director:

Francis Ford Coppola (as Francis Coppola)

Writers:

John Milius, Francis Ford Coppola (as Francis Coppola) | 1 more credit »
Popularity
227 ( 28)
Top Rated Movies #50 | Won 2 Oscars. Another 18 wins & 31 nominations. See more awards »

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Cast

Cast overview, first billed only:
Marlon Brando ... Colonel Walter E. Kurtz
Martin Sheen ... Captain Benjamin L. Willard
Robert Duvall ... Lieutenant Colonel Bill Kilgore
Frederic Forrest ... Jay 'Chef' Hicks
Sam Bottoms ... Lance B. Johnson
Laurence Fishburne ... Tyrone 'Clean' Miller (as Larry Fishburne)
Albert Hall ... Chief Phillips
Harrison Ford ... Colonel Lucas
Dennis Hopper ... Photojournalist
G.D. Spradlin ... General R. Corman
Jerry Ziesmer ... Jerry, Civilian
Scott Glenn ... Lieutenant Richard M. Colby
Bo Byers Bo Byers ... MP Sergeant #1
James Keane ... Kilgore's Gunner
Kerry Rossall ... Mike from San Diego
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Storyline

It is the height of the war in Vietnam, and U.S. Army Captain Willard is sent by Colonel Lucas and a General to carry out a mission that, officially, 'does not exist - nor will it ever exist'. The mission: To seek out a mysterious Green Beret Colonel, Walter Kurtz, whose army has crossed the border into Cambodia and is conducting hit-and-run missions against the Viet Cong and NVA. The army believes Kurtz has gone completely insane and Willard's job is to eliminate him. Willard, sent up the Nung River on a U.S. Navy patrol boat, discovers that his target is one of the most decorated officers in the U.S. Army. His crew meets up with surfer-type Lt-Colonel Kilgore, head of a U.S Army helicopter cavalry group which eliminates a Viet Cong outpost to provide an entry point into the Nung River. After some hair-raising encounters, in which some of his crew are killed, Willard, Lance and Chef reach Colonel Kurtz's outpost, beyond the Do Lung Bridge. Now, after becoming prisoners of Kurtz, will... Written by Derek O'Cain

Plot Summary | Plot Synopsis

Taglines:

The Horror. . . The Horror. . .

Genres:

Drama | War

Motion Picture Rating (MPAA)

Rated R for disturbing violent images, language, sexual content and some drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

American Zoetrope

Country:

USA

Language:

English | French | Vietnamese

Release Date:

15 August 1979 (USA) See more »

Also Known As:

Apocalypse Now: The Complete Dossier See more »

Filming Locations:

Philippines See more »

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Box Office

Budget:

$31,500,000 (estimated)

Opening Weekend USA:

$118,558, 19 August 1979, Limited Release

Gross USA:

$83,471,511
See more on IMDbPro »

Company Credits

Production Co:

Zoetrope Studios See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (Redux) | (workprint)

Sound Mix:

70 mm 6-Track (70 mm prints)| Dolby Digital (Redux version)| Dolby Stereo (35 mm prints)| DTS (Redux version)| Dolby Atmos (Final Cut)

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The film is included on Roger Ebert's "Great Movies" list. See more »

Goofs

The length of Willard's cigarette while he is trapped in the bamboo cage, talking to the freelance photographer. See more »

Quotes

[first lines]
Willard (voice-over): Saigon... shit; I'm still only in Saigon... Every time I think I'm gonna wake up back in the jungle.
Willard (voice-over): When I was home after my first tour, it was worse.
[grabs at flying insect]
Willard (voice-over): I'd wake up and there'd be nothing. I hardly said a word to my wife, until I said "yes" to a divorce. When I was here, I wanted to be there; when I was there, all I could think of was getting back into the jungle. I'm here a week now... waiting for a mission... getting softer. Every minute I stay in this room...
See more »

Crazy Credits

There are four different treatments of the end credits, all four are available in different VHS, laserdisc, DVD and TV prints of the film...... When the film premiered in a limited 70mm format, it had no beginning or end credits, nothing but a one-line Omni Zoetrope copyright notice at the end. Programs were passed out to theater goers in lieu of any credits. When the film went into its wide release its format was 35mm. This version included end credits rolling over surrealistic explosions and burning jungle, showing the Kurtz compound being destroyed. When Coppola heard that people were assuming that the explosions during the end credits of the 35mm version meant that an air strike had been called in on the Kurtz compound (which is not what he wanted audiences to think) he quickly re-edited the 35mm version to have the end credits rolling over a simple black background and a slightly altered musical score. The "Redux" version also has the end credits over a black background but in different screen fonts and including additional "Redux" inserted cast members. See more »

Alternate Versions

There are four different treatments of the end credits, all four are available in different VHS, laserdisc, DVD and TV prints of the film......
  • When the film premiered in a limited 70mm format, it had no beginning or end credits, nothing but a one-line Omni Zoetrope copyright notice at the end. Programs were passed out to theatre goers in lieu of any credits (this ending was used for the theatrical cut featured on the 2011 Blu-Ray release).
  • When the film went into its wide release its format was 35mm. This version included end credits rolling over surrealistic explosions and burning jungle, showing the Kurtz compound being destroyed (included as a deleted scene on the 2011 Blu-Ray release, with optional commentary from Coppola).
  • When Coppola heard that people were assuming that the explosions during the end credits of the 35mm version meant that an air strike had been called in on the Kurtz compound (which is not what he wanted audiences to think) he quickly re-edited the 35mm version to have the end credits rolling over a simple black background and a slightly altered musical score.
  • The "Redux" version also has the end credits over a black background but in different screen fonts and including additional "Redux" inserted cast members.
See more »

Connections

Referenced in Paris-Manhattan (2012) See more »

Soundtracks

Collection Musee de l'homme
Zoetrope Music Company
See more »

Frequently Asked Questions

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User Reviews

 
In my opinion, Coppola's best work
21 December 2004 | by jokeco68See all my reviews

My favourite movie of all time. This was a flawed piece of work by Coppola and seeing the documentary 'Heart of Darkness' made it even more compelling. Coppola at this point was king of Hollywood after making 'the Godfather' and 'GodfatherII' and had developed the ego necessary to even dare try to make a movie like 'Apocalypse Now'. Through sheer arrogance he went to the Phillipines with a partial script and thought he would know what he would do when he got there. Just as Captain Willard thought he would know what to do once he got to Col. Kurtz's compound. And just like Willard, he DIDN'T know what he was going to do once he got there. This is such a masterpiece of American cinema, beautifully photographed and the river is such a perfect metaphor and backdrop for the story. What I like most about 'Apocalypse Now' is that it offers no answers or conclusions. Consequently, because of this open-endedness, it infuriates some viewers who like their movies to be much more obvious.

This movie defies categorization. Some call it a war movie which it isn't at all, really it is more of a personal study of man. The best pic about Vietnam is 'Platoon' in my opinion and if a viewer is seeking a retelling of the Vietnam War go there first for answers.

Coppola should be commended for his take on the bureaucracy of war which he conveys quite effectively with the meeting with Gen.Corman and Lucas (Harrison Ford) and the Playmate review. The sheer audacity of Kilgore makes him an unforgettable character and the dawn attack will always be a Hollywood classic.

It is an almost psychedelic cruise to a very surreal ending which makes it a movie not accessible to everyone. Very challenging to watch but rewarding as well. I could offer my explanations on each scene but that would be totally pointless. This movie is intended for interpretation and contemplation as opposed to immediate gratification.

A little footnote, definitely if your a first-time viewer of Apocalypse Now, watch the original version first, the 'Redux' version is, I think, more intended for the hardcore fan and is more of a curiosity than a 'new and improved' version of the movie


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