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Anirudh Parmar is blind, but he does not let this impairment bind him down. He runs a school for the blind as a Principal. He meets with social worker, Kavita. Kavita is attracted to him, ... See full summary »
Albert Pinto goes missing one day and his girlfriend and family start making rounds at the police station to track him down. Unknown to them, he is on his way to Goa to carry out his first assignment as a hitman.
In colonial India, subedars (tax collectors) went from village to village with soldiers, often demanding more than taxes. A subedar commands Sonbai, a beautiful and confident woman whose ... See full summary »
An old couple lend a room on rent after recent death of the bread earner of the family, their only son. A budding actress starts living with them, who is in love with a local politician's only son. The movie shows what later ensues.
This classic film is based on a classic Urdu short story 'Aanandi' by Pakistani writer Ghulam Abbas. It deals with a brothel at the heart of a city, in an area that some politicians want ... See full summary »
Probably, the biggest contribution of this movie is the name "Albert Pinto". You would find references of this name in many other occasions, most of the times mockingly, often targeted towards a short-tempered man.
In my venture of discovering the gems of yesteryear and also, in this particular case, to find the legend behind the legacy, I watched this movie with great anticipation. And as one of the other reviewers has said in this forum, I was disappointed because of my wrong expectations. The movie is more of a mockumentary on the socio-economy situation of 70s/80s Bombay especially the life and strives of working class people, than a full-fledged movie with a plot exploring the idiosyncrasies of the hotheaded Abert Pinto. It's not that the movie didn't have any characters. Rather, it had many parts enacted by the legends of parallel cinema in India, the likes of Naseeruddin Shah, Shabana Azmi, Smita Patil, Om Puri, et al. But, most of the characters are underdeveloped, solely because the intent of the movie has never been to tell a story, rather to depict life in its rawest form, in the slums, in the garages, in the mills of Bombay. Be it economic exploitation of the under-privileged by the capitalists, or the sexual abuse faced by the working women by the unscrupulous bosses, or the rise of mafia and paid-goondas in order to curb the rising rebellions, or the constant striving of the young men chasing dollar dreams, or amidst all these chaos how existence holds on to equanimity – the movie chooses carefully not portray any biased picture, but to present to the spectators the true sense of life and struggle. The movie doesn't show anything that we don't see in our everyday life – and that's simultaneously the plus and the minus of the movie.
Unfortunately, the movie doesn't fulfill the huge expectations I had. If you really love it, probably you belong to the intellectual class who appreciate movies on various other aspects than mere story or performances. If you are looking for only entertainment, stay away.
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