It's a hot summer day in 1933 in South Philly, where 12-year old Gennaro lives with his widowed mom and his ailing grandpa, who sits outside holding tight to his last quarter, which he's ... See full summary »
Mary Elizabeth Mastrantonio,
A serial killer brutally slays and dismembers several gay men in New York's S&M and leather districts. The young police officer Steve Burns is sent undercover onto the streets as decoy for the murderer. Working almost completely isolated from his department, he has to learn and practice the complex rules and signals of this little society. While barely seeing his girlfriend Nancy anymore, the work starts changing him.Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
In addition to protests that occurred when the film was released, the production itself was plagued by demonstrations protesting it. Protesters would clog streets, make lots of noise--in order to ruin live recorded sound--and even climb up on rooftops and shine lights with reflectors down on to the set,k to disrupt the lighting and distract the crew. See more »
Blonde transvestite hooker DaVinci and his brunette transvestite hooker friend are forced into Patrolemen DiSimone and Dresher's police car. When DiSimone, DaVinci and DaVinci's friend are in the back seat, Dresher orders DaVinci into the front seat for implied fellatio. Later, at the police station, DaVinci erroneously says it was DiSimone who forced him to perform fellatio. See more »
The film only opens with the title in large letters, across the screen. It is only at the end where the filmmakers are credited. See more »
The CBS/FOX video release (now out of print) was the most complete version available. It has about 45 seconds of footage of SM bondage and sex (during the Police Night scene) that has been deleted from the Warner Video release, and two lines of dialogue near the end of the film when detectives are searching the killer's dorm room and mention the killers father has been dead for ten years See more »
What strikes me while watching the film, is that truth to reality is really refreshing. No editing in the world can make up to a camera catching a dark, rainy street as they could back in those days when equipment was not developed. Aristoleles claimed that cruelty should be committed outside the scene, that is, in the background. The imagination of the spectator is far more imaginative than a view of the actual event. Therefore, leaving out is stronger in terms of storytelling than showing. Quite the contrary to contemporary movies, I'd say. The advantage of this story is thus the suspense built up on lack of knowledge. There is no flirting with the audience; you do not know in advance who dunnit. There is no flirting with the audience on the task of staging one of the protagonists as a gay either. This is not the greatest movie, but really worth seeing.
4 of 5 people found this review helpful.
Was this review helpful to you?
| Report this