A human-looking alien from a highly advanced but emotionless all-male society is sent to Earth to impregnate a woman and bring the child back to their planet. The alien ends up falling in love there. A suspicious F.A.A. Agent targets him.
In her own words, comedienne Gilda Radner looks back and reflects on her life and career. Weaving together recently discovered audiotapes, interviews with her friends, rare home movies and ... See full summary »
Gilda Radner's stage show was titled "Gilda Radner: Live from New York". It ran from August 2, 1979 to September 22, 1979 during her summer hiatus from Saturday Night Live (1975). Don Novello was nominated for a Tony for Outstanding Featured Actor in a Musical. See more »
My, uh, my name is Gilda Radner. Uh, I've had extensive experience in children's theater. I worked for the board of education.
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NBC edited 18 minutes from this film for its 1982 network television premiere. See more »
See it on video--with one finger on the fast-forward button
For years I watched this movie on a personal videotape with all the dross edited out---most of which contains Don Novello (aka Father Sarducci) filling up time while Gilda Radner changes costumes backstage. Recently seeing the film "uncut", I cannot begin to say how Novello drags this down. He is the worst kind of unfunny comedian, with smug, pothead observations about life stemming from the obviousness of the human condition and dated bits of politics which are no longer topical. Radner, on the other hand, is amazing in her sets: rarely frantic or desperate for laughs, she plows right through if a joke happens to bomb. If only Hollywood could've tapped into this bottle of unabashed energy and self-delight, we might've seen Gilda in some hot comedies. Her takes on Emily Litella and Roseanne Roseannadanna are outrageously funny, her timing so sweet when she sings "The Way We Were" as Lisa Loopner, her wit sharp but always tempered with love. She clearly was one-of-a-kind, proving that Hollywood does make mistakes--one of them being its inability to turn this crowd-pleasing woman into a star. **1/2 from ****
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