Almost in breadth and depth of a documentary, this movie depicts an auto race during the 70s on the world's hardest endurance course: Le Mans in France. The race goes over 24 hours on 14.5 ... See full summary »
Lee H. Katzin
In order to track down bail jumpers, Ralph 'Papa' Thorson goes on a series of routine and not-so-routine searches. Sometimes he takes down his quarry easily. At other times, he's forced to extreme measures which result in the injury or death of a lawbreaker. And then again, there are other moments when his own life is on the line. It's all enough to make Thorson question what he has done with his life.Written by
The legend of Ralph Thorson as depicted in this movie is that, as publicity for the film indicated, as a bounty-hunter he had captured over 5000 fugitives from justice who had jumped bail. See more »
When McQueen stops at a gas station he speaks with Levar Burton through the car window. A piece of trim hangs from the convertible top. McQueen is seen actually fiddling with the trim without repairing it. McQueen gets into the car and the trim is instantly taped up and out of the way. See more »
The US release features a score by French composer Michel Legrand, one sequence is scored by 'Charles Bernstein'. The European dubbed versions (in French, Spanish, Italian, and German) feature only the music of 'Charles Bernstein'. Omitted in these versions are also the passages of source music from McQueen's/Papa's radio (Opera). The region 1 DVD made by Paramount for the US market features only the American version. The region 2 DVD also made by Paramount, this time for the European market, features both scores: Legrand's score on the English language track, Bernstein's score on the tracks in Spanish, French, Italian, and German. See more »
"Tom Horn," Steve McQueen's second to last feature, would have been a more appropriate swan song for the legendary star than this rather ramshackle production, but this action picture is much better than it is usually given credit for. There is an almost TV look about it (the director, Buzz Kulik, has amassed more credits for the small screen than he has in theatrical films), but McQueen, looking for all the world like the picture of health (a year after the film was shot, he'd be dead), is terrific and he makes it all worthwhile. The supporting cast isn't too shabby either, especially Kathryn Harrold as McQueen's woman, and, of course, the always welcome Eli Wallach.
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