A member of the House of Lords dies, leaving his estate to his son. Unfortunately, his son thinks he is Jesus Christ. The other, somewhat more respectable, members of their family plot to steal the estate from him. Murder and mayhem ensue.
American engineer Steve Corey comes to Mexico to work at one of the mining projects owned by Katherine Beckman and her half-brother Paul. He meets Katherine, and the man he is replacing, ... See full summary »
While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O'Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes.Written by
John Vogel <firstname.lastname@example.org>
When Cameron previews the footage of Bert's demise, the windshield has no hole in it, then a hole appears as they look at the footage, but then it's missing again in the next shot. See more »
I know a man who made an anti-war movie... a good one. When it was shown in his home town, army enlistment went up six hundred percent. I'm trying to convince the world with my movie that there is a reasonable and better way of getting home for Thanksgiving.
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After the credits end, the movie-within-a-movie director (played by Peter O'Toole) yells, "Sam, rewrite the opening reel! Crush the little bastard in the first act!" And then he laughs during the fade-out. See more »
I will right off admit that this film is not my type of thing. I watched it because I'm a huge fan of Peter O'Toole's. I found it difficult to follow and disjointed despite some really fascinating scenes and some very good acting.
Steve Railsback plays a Vietnam vet named Cameron who escapes the police after he is caught for attempted murder. He crosses a bridge and dodges away from an old car that is out of control. The car disappears. Later on, he encounters a film about World War I being shot on the beach. The director is Eli Cross (O'Toole) who offers Cameron a job as a stunt man. It turns out that the stunt man was in the old car and drove the car off of the bridge as part of a scene being filmed, and drowned. The police are sniffing around, so O'Toole introduces Cameron as Burt, the missing stunt man, and the rest of the cast and crew play along.
Cameron learns a lot about stunts (as do we) and he falls for the film's leading lady (Barbara Hershey) who at one time was involved with Eli. Cameron over time becomes increasingly paranoid and believes that the manipulative, kind of crazy Eli wants to kill him.
O'Toole, Railsback, and Hershey are all excellent -- we first see Hershey in an old lady mask and clothing. Throughout the film, she is beautiful, silly, and flighty as Nina Franklin, and intense and committed as the character Nina plays. O'Toole is madcap, and doesn't seem to care what happens to anyone as long as he gets the shot he wants, and one can see how Cameron would be unclear about his motives.
The print I saw didn't look particularly good - I wonder about the budget for this film. I think a good deal of the budget went to O'Toole and some of those amazing stunts, as the film has a lot of TV actors in it -- all good, but TV actors nevertheless: Alex Rocco, Sharon Farrell, Allen Garfield.
This film is a little hard to follow, but it's a good one about the value of perception and how it can change from person to person. Also, the ending is very satisfying.
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