A remake of 1944's Lon Chaney film Weird Woman (the first was Burn, Witch, Burn! in 1962) is more of a horror spoof, as three women use witchcraft to help their professor husbands further ...
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Young David Masters drowns his mothers cat Sheba in its milk, claiming she loves it more than he, one of many such Shebas he has killed. As a grown man, he returns home with his wife Janie ... See full synopsis »
While on a South Seas trip, a professor falls in love and marries an exotic native woman. What he doesn't know is that she was raised by superstitious natives who believe her to be some ... See full summary »
Tracy Carlyle Hastings attempted to protect her son Jeffrey from obnoxious outside sources such as her husband, Philip; her father, Baylor; and her half brother Duncan. The family ... See full summary »
In Texas, Floyd is the owner of a decadent bar nearby the coast. He misses his wife Dorothy, who disappeared one year ago, and does not pay attention to the business, giving credit to ... See full summary »
Rich playgirl Kit Jordan (nee Katherine Lawson Chandler) is in Acapulco vacationing with her current husband, Pete Jordan, formerly an American beach boy working the Acapulco shores for ... See full summary »
Roger and Jean learn the hard way that when you are meant to be together, nothing can keep you apart. The newly divorced couple keep running into one another (literally), and in the process... See full summary »
When her lover is killed, the wife of a wealthy man is convinced to fake her own death, which leads her into greater depths of depravity until fate reunites her with her long-lost son, who is unaware of her real identity.
David Lowell Rich
A remake of 1944's Lon Chaney film Weird Woman (the first was Burn, Witch, Burn! in 1962) is more of a horror spoof, as three women use witchcraft to help their professor husbands further their careers. When a higher position becomes available in the university, they turn on each other, and no one is safe!Written by
John N. Daily
Silliness about a group of faculty wives using witchcraft to advance their husbands careers. Picks up and drops ideas willy-nilly although it isn't completely without an ultimate goal. But the picture becomes increasingly ridiculous as it progresses.
Odd to see gifted comedienne Teri Garr in such as this, although it is played initially with a light touch. She's not bad but it doesn't play to her strengths, she was however still working her way up so probably taking whatever was offered. She's also a peculiar match with Richard Benjamin, who spends what seems an inordinate part of the movie in various states of undress, their styles don't mesh very well.
This was Lana Turner's cinematic screen swan song. While its not the horrifying train wreck that some Golden Age stars, Joan Crawford, Veronica Lake etc., were subjected to it's hardly the sort of film a legendary star should be exiting the stage in. She does look glamorous throughout until script dictates strip her of her trappings, an oasis of pizazz in a sea of slack suits.
Worth catching for the two lead actresses if you're a fan of either but strictly a mediocrity.
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