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The Beyond (1981)

...E tu vivrai nel terrore! L'aldilà (original title)
Trailer
1:25 | Trailer
A young woman inherits an old hotel in Louisiana where, following a series of supernatural "accidents", she learns that the building was built over one of the entrances to Hell.

Director:

Lucio Fulci

Writers:

Dardano Sacchetti (story), Dardano Sacchetti (screenplay) | 2 more credits »

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Cast

Complete credited cast:
Catriona MacColl ... Liza Merril (as Katherine MacColl)
David Warbeck ... Dr. John McCabe
Cinzia Monreale ... Emily (as Sarah Keller)
Antoine Saint-John ... Schweick
Veronica Lazar ... Martha
Larry Ray Larry Ray ... Larry (as Anthony Flees)
Giovanni De Nava ... Joe the Plumber (credit only)
Al Cliver ... Dr. Harris
Michele Mirabella Michele Mirabella ... Martin Avery
Giampaolo Saccarola Giampaolo Saccarola ... Arthur
Maria Pia Marsala ... Jill
Laura De Marchi ... Mary-Ann
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Storyline

The cellar of an old hotel is built on top of the door to the beyond. Bloody zombies roam there. A young woman who is heir of the hotel wants to restaurate it. She is confronted with strange events. A painter has a lethal fall, the plumber vanishes and her friend breaks his neck. When she escapes to the hospital of a friendly doctor she doesn't know what a nightmare is waiting there... Written by Matthias Luehr <mluehr@htwm.de>

Plot Summary | Plot Synopsis

Taglines:

The seven dreaded gateways to hell are concealed in seven cursed places... And from the day the gates of hell are opened, the dead will walk the earth. See more »

Genres:

Horror

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Italy

Language:

Italian

Release Date:

11 November 1983 (USA) See more »

Also Known As:

Seven Doors of Death See more »

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Box Office

Budget:

$400,000 (estimated)

Opening Weekend USA:

$18,148, 14 June 1998

Gross USA:

$123,843

Cumulative Worldwide Gross:

$123,843
See more on IMDbPro »

Company Credits

Production Co:

Fulvia Film See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (R-rated) | (cut)

Sound Mix:

Dolby (US version)| Mono (original version)

Color:

Black and White (Sepia)| Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Second part of Lucio Fulci's Death Trilogy also including City of the Living Dead (1980) and The House by the Cemetery (1981). See more »

Goofs

The way man falls down from scaffolding isn't the way he would fall from what we saw in previous shots. See more »

Quotes

Schweick: Be careful what you do... because this hotel was built over one of the Seven Doors of Evil - and only I can save you!
See more »

Crazy Credits

The end titles of the U.S. version, "7 Doors of Death" are full of incorrect billings.

David Warbeck's character John McCabe is billed as "Doc." Antonie Saint-John (here called Tony Saint-John) is billed as Joe the Plumber. He actually played Schweick. Veronica Lazar is billed as playing the little girl, Jill. She was Martha, the housekeeper. Jill was played by Maria Pia Marsala. Someone named "Philip Ostrow" is billed as playing Arthur, Martha's son. He was played by Giampaolo Saccarola. Martha is billed as being played by someone named Margaret Lund. She was played by Veronica Lazar. Mary-Ann (billed here as "Joe's Wife") is billed as being played by someone named Helen Pierce. She was played by Laura De Marchi. Schweick (billed here as "Sweik") is billed as being played by someone named Robert Leahy. He was played by Antoine Saint-John. Dr. Harris is billed as being played by someone named Jim Barrett. He was played by Al Cliver.

If you count Catriona MacColl and Cinzia Monreale's real names not being used, every single cast listing in the "7 Doors of Death" version is wrong in some way or another. See more »

Alternate Versions

The British cinema version was cut by the BBFC with heavy edits to all eye gouging scenes, the opening whipping sequence, the killing of Martin by tarantulas, the head shooting of Jill, and Emily being savaged by her dog, and this same cut print was later used for video versions. The BBFC passed The Beyond uncut in the UK on 31 January, 2001, with all previous cuts waived. See more »

Connections

Referenced in End of Days (1999) See more »

Frequently Asked Questions

See more »

User Reviews

 
A true masterpiece from a legendary master of horror!
17 January 2005 | by efrain-2See all my reviews

A couple of years back (late 90's), I had the pleasure of experiencing Fulci's The Beyond the way it was meant to be watched...on the big screen at the Angelica Movie Theater in Soho (NYC) at midnight, in all of its uncut glory (thanks to Quentin Tarantino's Rolling Thunder Films).

For a couple of hours, I was taken aback to the greatest days of horror! It even had previous of movies like 2000 Maniacs, The Evil Dead and Zombie (aka Zombie 2) before the movie started. To truly appreciate this movie, one has to remember the era it came from. The post Exorcist and Dawn of the Dead period saw many imitations, especially from Italy. However, there were a handful of filmmakers that had actual imagination, skills and creativity to set their pictures apart from the rest. Of the bunch, Argento, Bava (father and son), and Fulci stood quite apart from the rest, each with their own talents.

Fulci was perhaps the most prolific of them, adding a flare of his own Art to his works. His movies each played like paint on canvas from beginning to end. The Beyond was his greatest Masterpiece, combining a better plot than most of his works, with the high quality level of gore Fulci was and always will be well known for.

The Beyond starts with a Warlock being executed in the 1930's by a lynch mob. Little do they know that the hotel where the act takes place happens to be one of the seven doorways to hell. Flashing forward about 50 years later, Liza inherets the hotel and decides to restore it. From there all hell breaks loose. The ending is as disturbing as it gets, and the deaths are both unique and horrifying (vintage Fulci).

I remember walking to the subway station that night, still thinking about what my eyes had just seen (occasionally looking over my shoulder) - realizing I had been genuinely scared and disturbed by a movie that at the time was about 17 years old. Man I miss the "Hey-Day" of horror, and the true masters of it!


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