It's 1944 in the small town of Gregory, Texas. Divorcée Nita Longley has been brought into the town by the telephone company to work as its switchboard operator, a job which requires her to...
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Biographical story of Loretta Lynn, a legendary country singer that came from poverty to worldwide fame. She rose from humble beginnings in Kentucky to superstardom and changing the sound and style of country music forever.
It's 1944 in the small town of Gregory, Texas. Divorcée Nita Longley has been brought into the town by the telephone company to work as its switchboard operator, a job which requires her to be at the switchboard day and night. She was originally told by her boss Mr. Rigby that this job would only be a stepping-stone to a more lucrative job with regular working hours, which Mr. Rigby seems to be reneging on since he has now told her that her position is frozen due to the war. As such, Nita feels trapped by this situation. Nita lives in the telephone switchboard office building with her two sons, adolescent Harry and infant Henry. Because of her marital status, many of the townsfolk, especially the men, view Nita either with contempt or as a loose woman. One evening, Teddy Roebuck, a sailor on a four day furlough who is hitchhiking back to his home in Ardmore, Oklahoma, stops by to make a telephone call. When he learns that the reason for his trip home no longer exists, Teddy decides to...Written by
Sissy Spacek has this kind of part down pat, so praise comes too matter-of-fact. I liked the 'Aw Shucks" charm of Eric Roberts as the sailor who receives a 'Dear John" telephone call, and once he disappeared from the film, a lot of its life fizzled away. It's a small film with limited exposition, so that the dinner scene with the boys substituting their long lost father for the departed Teddy seemed to come from almost nowhere. Then despite all of their wailing, they gladly fall in with Mom's desire to move to San Antonio. Then it is headlong into a scene that is part To Kill A Mockingbird and part Straw Dogs.
The problem with the script, and I suspect the screenwriter realized this, is that the Raggedy Man sails too close to Boo Radley, and so the plot must steer away from devices like having the boys be afraid of him. Yet he cannot disappear, so we have shots of him lurking about, or shots of his shop, lest we forget he is part of the story.
I think the film would have worked without him even being part of it, a small tale of a thwarted four day liberty if told from the sailor's point of view, or better, simply a tale of a four day honeymoon for the divorced women. But heaven forbid, there would have been little action. Somehow the ending violence robbed me of my memory of Sissy dancing with her broom while the Andrews Sisters sang.
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