2 firemen in a burning building get a treasure map. Stolen gold church items are hidden in a closed down factory in St. Louis. Once there, they're trapped in by a black gang considering it their territory. Lots of shooting.
In the near future, a charismatic leader summons the street gangs of New York City in a bid to take it over. When he is killed, The Warriors are falsely blamed and now must fight their way home while every other gang is hunting them down.
Intent on seeing the Cahulawassee River before it's dammed and turned into a lake, outdoor fanatic Lewis Medlock takes his friends on a canoeing trip they'll never forget into the dangerous American back-country.
A squad of National Guards on an isolated weekend exercise in the Louisiana swamp must fight for their lives when they anger local Cajuns by stealing their canoes. Without live ammunition and in a strange country, their experience begins to mirror the Vietnam experience.Written by
Keith Loh <email@example.com>
The film's bayou swamp region is a place known as "Uncertain" where the movie was extensively filmed. It is situated in Caddo Lake in Texas, USA. See more »
The M-60 machine gun and the M-16 rifles are repeatedly shown firing blanks on automatic and semi-automatic fire settings, respectively, but without the required blank adapters covering the muzzles. Blank adapters cause a back-up of gas pressure within the barrel, a function normally performed by fired bullets, which allows the weapons to cycle and reload automatically. Blank adapters are clearly visible attachments; without them, the weapons would have to be cycled (i.e. reloaded) manually after each individual blank is fired. These are obviously Hollywood weapons which have had their barrels partially plugged sufficiently to perform the function of blank adapters, while making them appear more like weapons that most viewers are familiar with. See more »
I ain't gonna kill y'all if I don't got ta... you got a bayou over dere... take it... stay to the west side... you're gonna find a road about a mile up dere.
Do you mind tellin' us what the Hell this is all about?
It real simple... we live back in here... dis is our home, and nobody don't fuck with us.
[pointing at Bowden, who is hanging dead from a tree]
What about HIM?
What about 'im?
Did he do it to himself or did your friends help him out?
[fires shot at Hardin's feet]
Now, if I was you all, ...
[...] See more »
An unexpected surprise that surpasses even my expectations.
A bizarre yet excellent paranoia thriller that takes place in a swamp in the Louisana where eight National Guard members who are on a routine reconnaissance excerise, unwillingly and intentionally start an exhausting battle of wills and survival with some Cajuns who know the swamps like if their own backyard.
Director Walter Hill ("48 Hours", "Undisputed") and his screen-writers (David Giler and Michael Kane) have unveiled an expected surprise that surpasses even my expectations of a top-notch thriller. The trio have borrowed the backdrop from one of those not-so-smart slasher movies like "Friday the 13th", then change the location of the story to the Louisana Bayou, and give the viewer characters that we may like.
As for the cast, Keith Carradine and Powers Boothe emerge here to give the best performances. Boothe is good as Hardin, who came to the unit as a transfer from Texas while Carradine is the relatively easy-going Spencer. Fred Ward and Alan Autry also deliver here as two members who are both troublesome in two different ways. Ward is the bully who doesn't need much to provoke a fight with anyone and Autry is the emotionally shell-shocked soldier whose fragile feelings are rocked when the unit's leader, Sargeant Poole (Peter Coyote) is unexpectedly shot and killed.
Some of the locals that the team run into are either harmless or polite instead of being stereotyped. However, the Cajuns that are seeking revenge are about as hard to find as the shark in the first half of "Jaws".
Even a few of the Hill regulars: musician Ry Cooder, photographer Andrew Laszlo, and production designer John Vallone add another key element to the movie. The look, the feel, and especially - the music fit the atmosphere like it should be and I was satisfied with that.
Plus, the movie ads for "Southern Comfort" don't lie here and what happens in the film shows very clearly why.
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