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Pink Floyd: The Wall (1982)

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A confined but troubled rock star descends into madness in the midst of his physical and social isolation from everyone.

Director:

Alan Parker

Writers:

Roger Waters (album "The Wall"), Roger Waters (screenplay)
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Popularity
3,858 ( 104)
Won 2 BAFTA Film Awards. Another 1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Bob Geldof ... Pink
Christine Hargreaves Christine Hargreaves ... Pink's Mother
James Laurenson ... J.A. Pinkerton (Pink's Father)
Eleanor David ... Pink's Wife
Kevin McKeon ... Young Pink
Bob Hoskins ... Rock and Roll Manager
David Bingham David Bingham ... Little Pink
Jenny Wright ... American Groupie
Alex McAvoy ... Teacher
Ellis Dale Ellis Dale ... English Doctor
James Hazeldine ... Lover
Ray Mort ... Playground Father
Margery Mason Margery Mason ... Teacher's Wife (as Marjorie Mason)
Robert Bridges Robert Bridges ... American Doctor
Michael Ensign ... Hotel Manager
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Storyline

Rock star Pink Floyd is a tortured soul. Because of his childhood, he has always tried to make meaningful emotional connections to other living creatures. That childhood includes not having a male role model with his father having been killed in the war, his overprotective mother smothering him, and an oppressive school system quashing his natural creativity. Being a rock star, he is often wanted more because of what he is than who he is. The most recent failure in that true connection to someone or something else is his marriage, when on tour, he discovers that his wife back home is cheating on him. His response is to go in the opposite direction, by building a figurative wall around him to isolate himself from the rest of the world, but not before showing graphically his feelings on different gut levels. The question becomes if he or anyone else can do anything to tear down the wall in a meaningful way. Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

The Memories. The Madness. The Music... The Movie. See more »


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English

Release Date:

17 September 1982 (USA) See more »

Also Known As:

Pink Floyd The Wall See more »

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Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend USA:

$67,870, 8 August 1982, Limited Release

Gross USA:

$22,244,207
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

70 mm 6-Track (70 mm prints)| Dolby (35 mm prints)| Mono (some 35 mm prints)

Color:

Color (Metrocolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Bob Geldof managed to cut open his hand badly during the scene in which his character destroys his hotel room. To the astonishment of the crew, Geldof refused medical attention until director Alan Parker had the scene wrapped up. See more »

Goofs

When Pink throws the television out the window before he cuts his hand, he mouths "Take that, fuckers!", but we hear "Next time, fuckers!" (This is corrected in the DVD release of "The Wall") See more »

Quotes

[first lines]
Pink: [singing] So ya, thought ya might like to, go to the show. To feel the warm thrill of confusing that space cadet glow. Tell me is something eluding you sunshine? Is this not what you expected to see? If you wanna find out what's behind these cold eyes, you'll just have to claw your way through this disguise!
See more »

Alternate Versions

The final shot in the "Another Brick In The Wall, part 2" sequence, showing Young Pink and the Islington Green School class of 1951 throwing the Teacher into the bonfire, was deleted from the UK theatrical and Canadian VHS versions of the film, out of concern that actual children would try the stunt at home. See more »

Connections

Spoofed in Mystery Science Theater 3000: Escape 2000 (1996) See more »

Soundtracks

One of My Turns
Written by Roger Waters
Performed by Pink Floyd
See more »

Frequently Asked Questions

See more »

User Reviews

 
I had forgotten that this was the greatest movie ever made
15 October 2005 | by deathrattleusSee all my reviews

I recently rented and re-watched Pink Floyd The Wall for the 200th time, and I had forgotten, over the years, why this is my favorite movie. Surprisingly, the reason it is so good has little to do with a rock star having a mental breakdown. Pink being a rock star is almost incidental to the real message of the film. It seems as if director Parker took the initial idea of Pink Floyd's album and ran away with it. The film serves less as a study of one celebrity individual, instead serving as a cinematic indictment of all of our worst aspects as human beings: cruelty, brutality, insanity, herd mentality, fascism--all the most negative traits of twentieth century man are splashed upon the movie screen, as if the Director was asking the audience "Why?" This is a film in rebellion against the status quo. Funny then, that it should be driven by the music of a major rock and roll band. But, all in all, that is besides the point. The film of the Wall begins and ends with scenes of oppression by authoritarian figures (police men, skinheads, teachers, etc.)It is almost as if the entire sub textual content of the film is drawing a parallel between the internal alienation of a single individual and the social and global alienation that fostered the cruelties of World War 2, the holocaust, ad infinitum. Pinks degeneration is the degeneration of Everyman, confronted by a world that is (still) spinning increasingly out of control, away from the light, further behind the wall of its own nihilistic will toward self-obliteration. The violence of the imagery, the final "Trial", and the psychic attack of the final montage of disturbing images (masked children put into a meat grinder, cartoon teachers becoming hammers, neo-Nazis on a rampage) as the scene fades into a blank grey wall, are grand, satirical, operatic "Theater of Cruelty" in a cinematic framework. But it is the final lyric (sung by a repulsive, animated "Judge") that puts the entire scope of this picture into focus: "I sentence you to be EXPOSED before your peers..." The Judge , of course, is not merely talking to the fictional "Pink", but to the viewers of the film, and well, the entire world, for all that, and again, the Director has, seemingly, high jacked the "rock opera" format, and used it as a vehicle to ask that ultimate question: why is mankind so mutually interested in its own self-destruction? Why do nations and civilized cultures slide easily into fascistic thinking? How many war orphans are we still, to this day, creating?

I am not, now, a fan of Pink Floyd's music, although all of the music in this film is beyond excellent. Oddly enough, I am the farthest thing from the dope-smoking "hippy" that is supposed to be a Pink Floyd fan. I am an Industrial musician and a writer. My favorite music, at this point, is anything by NON, Throbbing Gristle, etc. This film has, over the years though, shaped my own artistic outlook in ways I am probably not even aware of. One does not need to smoke dope, or even be a Pink Floyd fan, to be affected quite deeply by this film. Roger Ebert once said that Star Wars was, to him at least "a perfect film". Well, Pink Floyd The Wall, to myself, is a perfect film, whether you are a pothead or no. I have given this film ten stars, but it is a little beyond that. If it was simply a rock movie, it could be rated in a conventional manner. But Allan Parker has done something here that is beyond even the concept of the bestselling album that this movie is based upon. He has crafted a surreal essay on the madness and self-destruction that lurks within the human spirit. And he has created one of the most sobering, angry, and dizzying satirical pieces ever committed to celluloid. In short, this film is a work of sheer, jaundiced brilliance.


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