In 1934 Paris, trained coloratura soprano Victoria Grant, a native Brit, can't get a job as a singer and is having trouble making ends meet. She doesn't even have enough money for the basics of food and shelter. Gay cabaret singer Carole 'Toddy' Todd may befall the same fate as Victoria as he was just fired from his singing gig at a second rate club named Chez Lui. To solve both their problems, Toddy comes up with what he considers an inspired idea: with Toddy as her manager, Victoria, pretending to be a man, get a job singing as a female impersonator. If they pull this scheme off, Toddy vows Victoria, as her male alter ego, will be the toast of Paris and as such be extremely wealthy. That alter ego they decide is Polish Count Victor Grazinski, Toddy's ex-lover who was disowned by his family when they found out he was gay. The Count auditions for the city's leading agent, Andre Cassell, who, impressed, gets him a gig performing in the city's best nightclub. In the audience on the ...
The disguise surprise comedy of the year!
Did You Know?
When Norma is attacking King in the hotel suite, and Squash steps in to protect him, Norma picks up a "decorative" spear and charges, unfortunately, she charges a bit too fast, because she has to take a quick pause (half step backwards) to allow Squash to slam the bedroom door, which she then pierces with the spear. See more
You know, pretending to be a man does have its disadvantages.
[Victoria goes into the bathroom, leaving Toddy alone in bed
My dear Count, you just said a cotton pickin' mouthful.
The opening credits are a montage of Art Deco illustrations, with most of them reflecting the functions of the credited persons. See more
Finale/Shady Dame From Seville (Reprise)
Music by Henry Mancini
Lyrics by Leslie Bricusse
Performed by Robert Preston See more