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Ernesto (1979)
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A group of misfits form an army in an absurd war.

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The sexual relationship between a successful woman and her brother: an introvert, hypochondriacal youth, who is also a pornophile.

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A beautiful wife, neglected by her husband, her sensual maid, who holds the reigns. La Bonne is an affair , an exploration, of desire, of force, and control..

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The daughter of a prostitute who could not maintain it, Desideria was sold to the rich bourgeois Viola who has given her a good education but little affection. When she discovers that Viola... See full summary »

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Two groups of students - the third-class high school students and the matured accountants - decide to perform a show to celebrate the last day of school. The comparison on the theater seems... See full summary »

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Mimi (1979)
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The fifteen year-old Maria "Mimmina" Luiza leaves the boarding school in Genève to stay in the Bechten Hotel nursing her father, the widower writer Guido, who is paralyzed by rheumatism. ... See full summary »

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Divorced father, Carmelo goes on holiday with his son by train. Little boy terrorizes fellow passengers, but also establishes contact with an attractive anthropologist. Rapprochement ... See full summary »

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Stars: Enrico Montesano, Sylvia Kristel, Lorenzo Aiello


Complete credited cast:
Lara Wendel ... Karen
Massimo Ciavarro
Danilo Mattei
Diego Cappuccio Diego Cappuccio
Fabrizio Temperini Fabrizio Temperini
Paolo Baroni Paolo Baroni
Sergio Di Pinto Sergio Di Pinto
Stefano Vagnoli Stefano Vagnoli
Angelo Cannavacciolo Angelo Cannavacciolo
Pippo Santonastaso Pippo Santonastaso
Dino Sarti Dino Sarti
Claudio Coli Claudio Coli
Adriano Poli Adriano Poli


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Comedy | Romance







Release Date:

August 1989 (West Germany) See more »

Also Known As:

Go to Great See more »

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User Reviews

Weak comedy from Samperi, for locals only
14 March 2011 | by lor_See all my reviews

Salvatore Samperi is my favorite Italian director of erotica, with several classics (NENE, MALIZIA, SUBMISSION) to his credit, but like his peers he had to earn bread churning out a dumb comedy once in a while, and VIA ALLA GRANDE is one of them.

My usual thrill at seeing a film never made available here in America quickly dissipated when it became obvious that GRANDE adheres to the dumbest of slapstick comedy formulae. Hollywood made so many ephemeral "youthful hijinx" romps in the '80s it is unnecessary to see a foreign version.

Story revolves around a quartet of anarchic youngsters, who walk around town doing coordinated dance moves, or emulating the Beatles' iconic crosswalk stance on the cover of their "Abbey Road" LP.

Their practical joke antics are 100% unfunny (to me, a non-Italian), as they put a transmitter inside the coffin to broadcast rude marks, disrupting a funeral; embarrass an imperious scoutmaster with literal blackout pranks on a train every time it goes dark moving through tunnels, etc.

The quartet is augmented by one of Samperi's greatest leading ladies, a grown-up Lara Wendel, who plays a sympathetic young woman from Berlin who has been pimped out by a villain driving a Jaguar, and escapes his clutches to have myriad boring adventures. She's aided by a goofy looking Eddie Deezen type (whose naturally pointy ears should have earned him a horror/comedy career), an old-old sugar daddy who takes her on a shopping spree but later tries to turn her in to the cops for hustling, and a posh guy Fernando who the quartet initially make fun of, but who eventually turns out against expectations to be a good guy.

Essentially this horrendous attempt at humor reminded me a bit of Richard Lester's brilliant and highly influential '60s comedies THE KNACK and A HARD DAY'S NIGHT, but Samperi flunked out. Perhaps the silliest segment has one of the extended group of comics (four is just the main core) dressing up in a cheapjack "E.T" costume replete with glow in the dark finger to scare a night watchman.

Pointless would actually be high praise for the result, which unfortunately wastes the beauty and talent of Wendel, who had the privilege of working for some of Italy's most brilliant directors (Antonioni, Fellini, Mauro Bolognini and Dario Argento), and did make several classic and highly controversial movies, notably SPIELEN WIR LIEBE, the Moravia adaptation DESIDERIA and Samperi's ERNESTO. GRANDE is an off day for all concerned.

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