Antonio Salieri believes that Wolfgang Amadeus Mozart's music is divine and miraculous. He wishes he was himself as good a musician as Mozart so that he can praise the Lord through composing. He began his career as a devout man who believes his success and talent as a composer are God's rewards for his piety. He's also content as the respected, financially well-off, court composer of Austrian Emperor Joseph II. But he's shocked to learn that Mozart is such a vulgar creature, and can't understand why God favored Mozart to be his instrument. Salieri's envy has made him an enemy of God whose greatness was evident in Mozart. He is ready to take revenge against God and Mozart for his own musical mediocrity.Written by
During the start Confutatis section dictation, a miscue from John Strauss (who was cuing the music phrase for both actors via AM wave hearing aids) got Tom Hulce lost and confused because he was waiting for the exact pitch and phrase coming in. The miscue was included in the final film - when F. Murray Abraham repeats the phrase 'A minor', Hulce was not responding for a while as he was actually waiting for the cue. See more »
Schikaneder has Mozart play the party theme in the style of Johann Sebastian Bach, which the Viennese party crowd clearly recognizes. Although Wolfgang Amadeus Mozart was fond of Bach's work which he knew through his friendship with the composer's son, Bach's name and music would have been wholly unknown in the Vienna of the 1780s. Bach's music fell out of favor with performers, shortly after his death in 1750, and was revived only when Felix Mendelssohn-Bartholdy promoted and popularized his work around 1830. See more »
The Orion Pictures logo, which was seen at the beginning of the film when it was first released theatrically, was not shown when the film played on both cable and commercial television, and is not seen on the VHS or DVD releases. See more »
When the two worlds of Antonio Salieri and Wolfgang Amadeus Mozart collide in Milos Forman's Amadeus, it is anything but a symphony. As the court composer of the Emperor of Austria, all Salieri desires are fame and recognition as a composer; it is all he had wanted his whole life. When he learns that Mozart, whose name he had known as long as he can remember, is going to come to the court to play, Salieri cannot wait to meet the outstanding and righteous man that he knows he must be. However, when Salieri learns that Mozart is a young, crude, and unrefined young man, endowed with all the talent and ability that he ever wanted and strived for, it plants a seed of jealousy that soon grows into bitter resentment and hatred, not only for Mozart, but also towards God. Salieri's desire to get rid of him is seemingly boundless as he plots and schemes for Mozart's demise. It is no wonder why Amadeus won eight Academy Awards, including Best Picture, with 5-Star performances by F. Murry Abraham as Antonio Salieri and Tom Hulce as Mozart. Amadeus is an emotionally charged and tragic piece, a story of the life of one of the world's most famous composers, as seen through the eyes of his worst enemy.
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