Based on the true story of the 1981 hunger strike in a British prison, in which IRA prisoner Bobby Sands led a protest against the treatment of IRA prisoners as criminals rather than as ... See full summary »
A televised Royal Shakespeare Company production of August Strindberg's classic play. Miss Julie (Helen Mirren), a 19th century aristocrat's daughter, is attracted to one of the servants in her father's house.
Beaty is a prostitute working out of a high-class London cabaret where Emory is a technician. They begin an affair encumbered by her job, his lack of money, and their pasts: Beaty has a ... See full summary »
In a Florence pensione circa 1900 with English guests, George and his dad offer their rooms with views to Lucy and her chaperone. Lucy and George get acquainted but Lucy returns to England. George and Lucy meet again but now she's engaged.
Helena Bonham Carter,
Frank was removed from an investigation into Mac Brown, the owner of a pharmaceutical company, who was suspected of drug trafficking and illegal experiments on teenagers. When Brown is murdered, Frank is called to investigate.
Cymbeline, the King of Britain, is angry that his daughter Imogen has chosen a poor (but worthy) man for her husband. So he banishes Posthumus, who goes to fight for Rome. Imogen (dressed ... See full summary »
Cal, a young man on the fringes of the IRA, falls in love with Marcella, a Catholic woman whose husband, a Protestant policeman, was killed one year earlier by the IRA.Written by
Mark Whitnall <firstname.lastname@example.org>
Moderately gripping until it becomes too depressing
This story is truly a tragedy about Northern Ireland. The protagonist is Cal, a sensitive and aimless working-class Catholic youth in Ulster. Cal holds down various low-paying manual jobs during the day and at night, sometimes performs services for the Irish Republican Army, even though he's only a minor participant. In his most significant job, he becomes the getaway driver for the killer of a Protestant policeman, an assignment which upsets him greatly. A year later, he meets Marcella, a lonely, widowed librarian and becomes infatuated with her, and they drift into an affair. However, he learns to his horror that her late husband was the murdered policeman and can't bring himself to tell her. Meanwhile, both the law and the I.R.A. are beginning to close in on him. The film's intentions are good. It's an attempt to tell the story of ordinary people trapped in a place and time of political violence that damages everyone and everything around it, and forces people to make decisions that inevitably have tragic consequences. Unfortunately, there is too much tragedy, too much sadness, so much that it becomes hard to believe. The lead characters are a problem, too. The are weak and resigned people who can only evoke pity. You certainly cannot cheer them on like you could stronger people, the kinds of people who make good things happen for them. The result is tragedy overkill. Eventually, the viewer will also become resigned and glum.
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