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The Cotton Club (1984)

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The Cotton Club was a famous Harlem nightclub. This is the story of the people who visited this club as well as the people who ran it, and the film is generously peppered with the jazz ... See full summary »

Director:

Francis Ford Coppola (as Francis Coppola)

Writers:

William Kennedy (screenplay), Francis Ford Coppola (screenplay) (as Francis Coppola) | 4 more credits »
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Popularity
4,894 ( 564)
Nominated for 2 Oscars. Another 1 win & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
Richard Gere ... Dixie Dwyer
Gregory Hines ... Sandman Williams
Diane Lane ... Vera Cicero
Lonette McKee ... Lila Rose Oliver
Bob Hoskins ... Owney Madden
James Remar ... Dutch Schultz
Nicolas Cage ... Vincent Dwyer
Allen Garfield ... Abbadabba Berman
Fred Gwynne ... Frenchy Demange
Gwen Verdon ... Tish Dwyer
Lisa Jane Persky ... Frances Flegenheimer
Maurice Hines ... Clay Williams
Julian Beck ... Sol Weinstein
Novella Nelson ... Madame St. Clair
Laurence Fishburne ... Bumpy Rhodes (as Larry Fishburne)
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Storyline

The Cotton Club was a famous Harlem nightclub. This is the story of the people who visited this club as well as the people who ran it, and the film is generously peppered with the jazz music that made the Cotton Club so renowned in the 1920s and 1930s. Written by Colin Tinto <cst@imdb.com> with corrections by BSmith

Plot Summary | Add Synopsis

Taglines:

Welcome to The Cotton Club. Where Crime Lords rub elbows with the rich and famous. Where deals are made, lives are traded. And the legends of jazz light up the night. See more »

Genres:

Crime | Drama | Music

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Italian

Release Date:

14 December 1984 (USA) See more »

Also Known As:

Tough Customers See more »

Filming Locations:

USA See more »

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Box Office

Budget:

$58,000,000 (estimated)

Opening Weekend USA:

$2,903,603, 16 December 1984

Gross USA:

$25,928,721

Cumulative Worldwide Gross:

$25,928,721
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (video) | (Encore)

Sound Mix:

70 mm 6-Track (70 mm prints)| Dolby (35 mm prints)

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The relationship in the film between the characters played by Gregory Hines and Maurice Hines was partly based on their real lives. See more »

Goofs

When Dixie goes to ransom Frenchy there is a different amount of shaving cream on Mad Dog's face in every shot. See more »

Quotes

Dixie: What do they call you?
Sol Weinstein: Nobody calls me nothin'.
Dixie: Not even your mother?
Sol Weinstein: I didn't have a mother. They found me in a garbage pail.
See more »

Crazy Credits

In the original version, the opening credits were intercut with dancers performing "The Mooche." In the 2019 revision, the dancing is eliminated and the credits roll straight through, but have been joined with straight cuts rather than dissolves. Additionally, Coppola has changed his billing from "Francis Coppola" to "Francis Ford Coppola." Finally, restoration credits have been added after the end titles. See more »

Alternate Versions

It seems that the first murder is a bit shortened in the German Constantin Video release (FSK 16). See more »

Connections

Referenced in Cannes Man (1997) See more »

Soundtracks

Oh, You Beautiful Doll
Lyrics by A. Seymour Brown
Music by Nat Ayer
See more »

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User Reviews

Companion to the pictoral history of The Cotton Club
8 July 2003 | by el1sdfSee all my reviews

inspired by photographs of the legendary Cotton Club in Harlem, some shots appear exactly as they were (now in colour). I noticed Dutch Schultz's slumped pose when he is shot is exactly that of the police photograph, though he died several hours later (see William Burroughs "The Last Words Of Dutch Schultz"). The actors often play too broad (Diane Lane), and Richard Gere shows his lazy, grinning acting here too. However, many notable smaller roles for Gregory Hines (and his brother), Bob Hoskins, Laurence Fishburne and others who make it well worth watching. It is true that $40 million could have been used better, but when you consider both Bob Evans and Coppola's involvement it seems with hindsight that they were asking for trouble. The music deserves special credit, as do the tap sequences (which i gather were shortened and some cut - what a shame). Mostly Duke Ellington classics. As i've already suggested the look is a perfect recreation of the time, but sadly the plot is patchy, some dialogue weak and it has been said before - there is no chemistry between the romantic leads. 9/10


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