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A Passage to India (1984)

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Cultural mistrust and false accusations doom a friendship in British colonial India between an Indian doctor, an Englishwoman engaged to marry a city magistrate, and an English educator.

Director:

David Lean

Writers:

E.M. Forster (by), E.M. Forster (based on the novel by) | 2 more credits »
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Won 2 Oscars. Another 20 wins & 26 nominations. See more awards »

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Cast

Cast overview, first billed only:
Judy Davis ... Adela
Victor Banerjee ... Aziz
Peggy Ashcroft ... Mrs. Moore
James Fox ... Fielding
Alec Guinness ... Godbole
Nigel Havers ... Ronny
Richard Wilson ... Turton
Antonia Pemberton Antonia Pemberton ... Mrs. Turton
Michael Culver ... McBryde
Art Malik ... Ali
Saeed Jaffrey ... Hamidullah
Clive Swift ... Major Callendar
Ann Firbank ... Mrs. Callendar
Roshan Seth ... Amritrao
Sandra Hotz ... Stella
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Storyline

It's the early 1920s. Britons Adela Quested and her probable future mother-in-law Mrs. Moore have just arrived in Chandrapore in British India to visit Adela's unofficial betrothed, Ronny Heaslop, who works there as the city's magistrate. Adela and Mrs. Moore, who long for "an adventure" in experiencing all India has to offer, are dismayed to learn upon their arrival that the ruling British do not socialize, let alone associate, with the native population, such people as the Turtons, Mr. Turton being Ronny's superior, who openly thumb their noses at the idea in their belief that the Indians are an inferior people. They are further dismayed to see that Ronny adheres to that custom in not wanting to jeopardize his career. At the local white only club, Adela and Mrs. Moore find a like-minded Brit in the form of Richard Fielding, the school master at government college, he who offers to organize a small, but truly inclusive, social gathering with some natives for them, unlike the large ... Written by Huggo

Plot Summary | Plot Synopsis

Plot Keywords:

india | doctor | cave | 1920s | small town | See All (73) »

Taglines:

David Lean, the Director of "Doctor Zhivago", "Lawrence of Arabia" and "The Bridge on the River Kwai", invites you on . . .[A Passage to India]


Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA

Language:

English | Hindi

Release Date:

1 February 1985 (USA) See more »

Also Known As:

A Passage to India See more »

Filming Locations:

Bangalore, Karnataka, India See more »

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Box Office

Budget:

$16,000,000 (estimated)

Opening Weekend USA:

$84,580, 16 December 1984, Limited Release

Gross USA:

$27,187,653
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Stereo

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Sir David Lean did not have a good relationship with most of the cast. Judy Davis told Lean "You can't fucking well direct" and claimed he didn't understand women. Victor Banerjee argued with Lean over Aziz's accent, calling him "obnoxious" and a hack compared to Satyajit Ray. Peggy Ashcroft disliked Lean's altering of the novel and "lack of respect" for her co-stars. See more »

Goofs

When Aziz arrives in the hill station train for his arrest, the inscriptions on the railway time table are in Tamil, whereas the whole story is supposed to have happened in Chandrapore, Bihar. Agreed, this shot was captured in Ooty, but Lean's cameras could not hide this!. See more »

Quotes

Richard Fielding: [on the glasses found on Aziz after the latter's arrest] If he had assaulted her he'd scarcely bring the evidence back with him.
McBryde: Doesn't surprise me.
Richard Fielding: I don't follow.
McBryde: When you think of crime, you think of English crime. The psychology's different here.
See more »

Connections

Featured in Casting a Classic (2008) See more »

Soundtracks

God Save the King
(uncredited)
Traditional
Arranged by John Dalby
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Frequently Asked Questions

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User Reviews

 
Culture and race and one thing you might not notice.
24 November 2005 | by alecwestSee all my reviews

Sometimes, what you don't see can be of equal importance to what you do see in a film. David Lean's film is no exception ... but more on that later.

A film of epic quality, it follows two travelers on their journey from England to India during the Raj colonial period of the 1920s. For Adela Quested, it's her first time out of England to anywhere. For Mrs. Moore, it's a chance to visit her son, Ronny, who is expected to marry Adela during the visit. But, their visit is not without incident.

What both Adela and Mrs. Moore discover is an India ruled by British bureaucrats (Ronny being one of them, a city magistrate) who exude personal and cultural superiority over Indians. This was a shock to them since they both expected to find Indians and Britons meeting socially and on friendly terms. The only exception to that rule appears to be Fielding, principal of a college.

Through Fielding, Adela is introduced socially to Professor Godbole (a Hindu holy man) and Dr. Aziz (a Muslim physician). Mrs. Moore met Aziz in a previous scene but had not yet met Godbole until that moment. One note on that (a film flaw). During the mosque scene where Mrs. Moore meets Dr. Aziz, Aziz never once mentions his name to her ... yet later, Adela knows his name as mentioned to her by Mrs. Moore. Perhaps his name was mentioned in a brief scene that ended up on the cutting-room floor. But, that omission is trivial and in no way detracts from the enjoyment of the film.

During this social introduction, Aziz invites Mrs. Moore and Adela on a journey to the Marabar caves, a tourist destination. On the trip, and tired from all the activity, Mrs. Moore stays at the encampment near the lower caves and encourages Aziz and Adela to explore the higher caves alone.

Then, something happened ... and I won't tell you what (grin). Suffice it to say that Aziz finds himself in police custody. A court trial ensues that pits culture against culture, race against race, and clearly demonstrates the differences in attitudes between resident British citizens and Indians. But the trial's climax isn't the most moving part of the film. Lean has risen the film's denouement to a higher level ... one that leaves you smiling and crying at the same time. But what Lean does NOT mention in the film is equally interesting.

In today's world, India is beset by inter-sect angst between Hindus, Muslims, Sikhs, and persons of other faiths. In theory, this inter-sect rivalry has been around since before India became a British colony. But, this rivalry was not mentioned once in the film. It is perhaps a testament to the novelist (E.M. Forster) and Lean to realize a potent underlying force in the story ... that British colonial rule held these rivalries in abeyance ... uniting Indians of all faiths into a common bond that eventually forced colonialism to end in India.

The film is a masterpiece on every level and remains one of my favorites of all time.

P.S. Closing comment to those (like me) who own region-free DVD players that render both PAL and NTSC DVDs. For some reason unknown to me, it's over $10 cheaper to buy the DVD from Amazon.co.uk than it is from Amazon.com ... even after overseas shipping is added in. That's where I ordered mine (from the UK).


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